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	<title>Bastille Opera | News Music &amp; Opera</title>
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		<title>Opéra national de Paris &#8211; Opéra Bastille 2024-2025</title>
		<link>https://actualites.music-opera.com/en/opera-de-paris-2</link>
		
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		<pubDate>Fri, 02 Aug 2024 08:00:23 +0000</pubDate>
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					<description><![CDATA[<p>Alexander Neef, director of the Paris National Opera, has crafted a 2024-2025 season that now defines his artistic policy. Between new creations, heritage works, and major revivals, music lovers can look forward to rediscovering the great institution that garners admiration from all, especially with José Martínez, the impeccable dance director. With his international stature, he [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/opera-de-paris-2">Opéra national de Paris &#8211; Opéra Bastille 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Alexander Neef</strong>, director of the<strong> Paris National Opera</strong>, has crafted a <strong>2024-2025 season</strong> that now defines his artistic policy. Between new creations, heritage works, and major revivals, music lovers can look forward to rediscovering the great institution that garners admiration from all, especially with<strong> José Martínez</strong>, the impeccable dance director. With his international stature, he offers pertinent choices for dance with some new offerings for the <strong>Étoiles, Premières Danseuses, Premiers Danseurs</strong>, and the<strong> corps de ballet of the Opera</strong>. While emblematic ballets grace the <strong>Bastille</strong> stage, it is primarily the operas that are eagerly anticipated there, as nothing can replace the experience of a live performance, especially regarding lyrical and choreographic shows.</p>
<p>For<strong> ballet</strong>, it is indeed at the <strong>Palais Garnier</strong> that we will admire great titles like <strong>Onegin</strong>, the masterpiece by the great choreographer <strong>John Cranko</strong>, or <strong>Sylvia</strong> in <strong>Manuel Legris</strong>&#8216;s new classical choreography, and the moving <strong>Mayerling </strong>by<strong> Kenneth MacMillan</strong>. Garnier will also host the magnificent choreographers of the season: <strong>Maurice Béjart, William Forsythe, Mats Ek, Sharon Eyal, Hofesh Shechter, and Alexander</strong> <strong>Ekman,</strong> not to be missed. However, the grand stage of th<strong>e Opéra Bastille</strong> welcomes two absolute masterpieces of white ballet with <strong>Paquita</strong> by <strong>Pierre Lacotte</strong> for the 2024 year-end holidays and the immortal <strong>Sleeping Beauty</strong> by <strong>Tchaikovsky</strong>. With choreography by <strong>Rudolf Nureyev</strong>, these are two shows that must be seen at least once in a lifetime. It is highly recommended to book these dance shows as soon as possible because demand is always very high for the <strong>Paris Opera Ballet.</strong></p>
<p><strong>Alexander Neef</strong> marks thi<strong>s 2024-2025 season</strong> at th<strong>e Opéra Bastille</strong> with originality. As he did with <strong>Beatrice di Tenda</strong> or<strong> La Vestale</strong> last season, long-forgotten great titles return, such as <strong>Castor et Pollux</strong> by<strong> Rameau</strong> or <strong>Les Brigands </strong>by <strong>Offenbach</strong>, which are on the bill at the <strong>Palais Garnier</strong>. The new productions at <strong>Bastille</strong> are particularly anticipated, notably <strong>Puccini’s Il Trittico</strong>. Three operas in one evening to move from laughter to tears with a major international star finally on the bill at the <strong>Paris National Opera</strong>. The well-known soprano<strong> Asmik Grigorian</strong> will draw crowds, and it is best to book tickets in advance to avoid missing the event. Another new production will make a big splash this <strong>2024-2025 season</strong>. One of the greatest events of the season is undoubtedly <strong>Debussy’s Pelléas et Mélisande</strong>, with staging by the well-known theater director <strong>Wajdi Mouawad</strong>. The cast is exceptional, featuring the incandescent <strong>Sabine Devieilhe</strong> in one of her greatest roles, the superb <strong>Huw Montague Rendall</strong> (also <strong>Gordon Bintner</strong>,<strong> Sophie Koch</strong>, and<strong> Jean Teitgen</strong>) with direction by the exciting conductor <strong>Antonello Manacorda</strong>. Although we always lament the incomprehensible absence of <strong>Karine Deshayes</strong> at the peak of her vocal powers, many French colleagues are on the bill, such as<strong> Ludovic Tézier</strong>. One of the greatest baritones of his generation, he is a regular at <strong>Bastille</strong>, but this time he embodies his very first <strong>Wotan in Das Rheingold</strong>, the first episode of a long-announced tetralogy finally on the bill! (<strong>tickets to be reserved as soon as possible</strong>).</p>
<p>By inviting great French opera stars, <strong>Alexander Neef</strong> has undoubtedly learned the lesson of the immortal <strong>Régine Crespin</strong>, who was celebrated everywhere else in her time except on the stage of the <strong>Paris National Opera</strong>. Do not miss the invaluable <strong>Julie Fuchs</strong> and the boisterous <strong>Lawrence Brownlee</strong> and <strong>Lionel Lhote</strong> in<strong> Donizetti’s La Fille du Régiment</strong>, with two other adored stars, <strong>Susan Graham</strong> and <strong>Felicity Lott</strong>, in <strong>Laurent Pelly</strong>’s perfect production. Opera tickets will quickly be snapped up to see <strong>Roberto Alagna</strong> or<strong> Benjamin Bernheim</strong> as <strong>Chevalier Des Grieux</strong> in <strong>Massenet’s Manon</strong>. The greatest tenors of their generation have partners like <strong>Amina Edris</strong> and <strong>Nadine Sierra</strong>. There are many eventful operas this season at the <strong>Opéra Bastille</strong> because among the revivals, there is, for example, <strong>Bellini’s I Puritani</strong> with a dream cast (<strong>Lisette Oropesa</strong> and <strong>Lawrence Brownlee</strong>). <strong>Ambrogio Maestri</strong> is an invaluable <strong>Falstaff</strong> to see absolutely, as is <strong>Pene Pati</strong> in this very successful production of <strong>Faust</strong> (<strong>Tobias Kratzer</strong>); as we can see, the great voices are well represented at <strong>Bastille</strong> with also the splendid soprano <strong>Elena Stikhina</strong> in<strong> Puccini’s Madama Butterfly</strong>, celebrated in 2024 for this anniversary season. <strong>Verdi’s Don Carlos</strong> is worth seeing for its exceptional cast as the greatest artists are gathered, including <strong>Charles Castronovo, Marina Rebeka, Ekaterina Gubanova,</strong> and<strong> Christian Van Horn</strong>. There is no shortage of opportunities to book seats at the <strong>Paris National Opera this 2024-2025 season</strong>, which promises to be truly magnificent.</p>
<p><a href="https://www.music-opera.com/en/venues/paris-opera-bastille.html"><span style="text-decoration: underline;"><strong>Book your tickets now for the new 2024-2025 season at the Opéra Bastille</strong></span></a></p>
<p style="text-align: right;"><em>© Christian Leiber</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/opera-de-paris-2">Opéra national de Paris &#8211; Opéra Bastille 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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