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	<title>Christophe Rousset | News Music &amp; Opera</title>
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		<title>Baroque ‘n Beaune Festival</title>
		<link>https://actualites.music-opera.com/en/baroque-n-beaune-festival</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 31 Mar 2025 08:43:38 +0000</pubDate>
				<category><![CDATA[Festivals]]></category>
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		<category><![CDATA[Alessandro Scarlatti]]></category>
		<category><![CDATA[Ambroisine Bré]]></category>
		<category><![CDATA[Bach]]></category>
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		<category><![CDATA[Camille Chopin]]></category>
		<category><![CDATA[Christophe Rousset]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Laurence Kilsby]]></category>
		<category><![CDATA[Marie Lys]]></category>
		<category><![CDATA[Marie Perbost]]></category>
		<category><![CDATA[Maximilien Hondemarck]]></category>
		<category><![CDATA[Rameau]]></category>
		<category><![CDATA[Reinoud Van Mechelen]]></category>
		<category><![CDATA[Thibault Noally]]></category>
		<category><![CDATA[Véronique Gens]]></category>
		<category><![CDATA[Victoire Bunel]]></category>
		<category><![CDATA[Vincent Dumestre]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=16376</guid>

					<description><![CDATA[<p>Baroque music lovers make a pilgrimage to Beaune to indulge in the rich offerings of the International Baroque Opera Festival. Staying true to the vision of Anne Blanchard and the late Kader Hassissi, the festival’s new artistic director, Maximilien Hondemarck, has unveiled a program where regular attendees will once again find the great names of [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/baroque-n-beaune-festival">Baroque ‘n Beaune Festival</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Baroque music lovers</strong> make a pilgrimage to <strong>Beaune</strong> to indulge in the rich offerings of the <strong>International Baroque Opera Festival</strong>.</p>
<p>Staying true to the vision of <strong>Anne Blanchard</strong> and the late <strong>Kader Hassissi</strong>, the festival’s new artistic director, <strong>Maximilien Hondemarck</strong>, has unveiled a program where regular attendees will once again find the great names of <strong>Baroque music</strong> among the prestigious guests.</p>
<p><strong>Operas, oratorios, recitals, and sacred music</strong> follow one another over four festival weekends, set as always in the enchanting <strong>Hospices</strong> but also in <strong>Beaune</strong>’s most beautiful venues, which open their doors to music especially for the occasion.</p>
<p>Each weekend is centered around a period, a composer, or a theme—such as <strong><em>Music in the Time of Louis XIV</em></strong>. Three great composers are particularly celebrated: <strong>Alessandro Scarlatti</strong>, in honor of the 300th anniversary of his death, as well as<strong> Jean-Philippe Rameau</strong> and the ever-iconic <strong>Georg Friedrich Handel</strong>. With <strong>Bach</strong> also in the spotlight, leading artists have answered the call of Burgundy and its music, including conductors <strong><a href="https://actualites.music-opera.com/tag/christophe-rousset-en"><span style="text-decoration: underline;">Christophe Rousset</span></a>, Vincent Dumestre, and Thibault Noally</strong>, alongside singers <strong><a href="https://actualites.music-opera.com/tag/veronique-gens-en"><span style="text-decoration: underline;">Véronique Gens</span></a>, Ambroisine Bré, Victoire Bunel, Camille Chopin, Marie Perbost, Marie Lys, Reinoud Van Mechelen, Laurence Kilsby</strong>, and many, many more!</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/festival-billets/festival-international-de-musique-baroque-de-beaune.html"><span style="text-decoration: underline;"><strong>In order to attend the event, go to our website by clicking here!</strong></span></a></p>
<p style="text-align: right;"><em>c &#8211; Affiche Festival Opera baroque Beaune 2025</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/baroque-n-beaune-festival">Baroque ‘n Beaune Festival</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>An Opera Seria – Anything but Serious at Teatro alla Scala</title>
		<link>https://actualites.music-opera.com/en/an-opera-seria-anything-but-serious-at-teatro-alla-scala</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 12 Mar 2025 11:52:41 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
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		<category><![CDATA[Florian Leopold Gassmann]]></category>
		<category><![CDATA[Julie Fuchs]]></category>
		<category><![CDATA[Laurent Pelly]]></category>
		<category><![CDATA[Pietro Spagnoli]]></category>
		<category><![CDATA[Ranieri de’ Calzabigi]]></category>
		<category><![CDATA[Teatro alla Scala]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=16298</guid>

					<description><![CDATA[<p>From March 29 to April 9, 2025, laughter will replace tears at Teatro alla Scala with L’Opera seria, commedia per musica by Florian Leopold Gassmann. This three-act opera is a hilarious parody of the 18th-century operatic world, gleefully mocking the behavior of all those involved through countless misunderstandings. The greed of producers, the pretentiousness of [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/an-opera-seria-anything-but-serious-at-teatro-alla-scala">An Opera Seria – Anything but Serious at Teatro alla Scala</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>From <strong>March 29 to April 9, 2025</strong>, laughter will replace tears at <a href="https://actualites.music-opera.com/en/tag/teatro-alla-scala-en"><span style="text-decoration: underline;"><strong>Teatro alla Scala</strong></span></a> with <strong><em>L’Opera seria</em></strong>, <em><strong>commedia per musica</strong></em> by <strong>Florian Leopold Gassmann</strong>.</p>
<p>This three-act opera is a <strong>hilarious parody</strong> of the 18th-century operatic world, gleefully mocking the behavior of all those involved through countless misunderstandings. The greed of producers, the pretentiousness of artists, the whims of divas, and their rivalries form the mechanics of a comedy that greatly entertains audiences. While the composer is not the most well-known of the Baroque era (even though he had a successful career at the Viennese court, where he was Salieri’s teacher), his librettist, on the other hand, enjoys a certain reputation. <strong>Ranieri de’ Calzabigi</strong> is, in fact, the figure behind the great operatic reform initiated with <strong><em>Orfeo ed Euridice</em></strong> by <strong>Christoph Willibald Gluck</strong>.</p>
<p>Both men sought to address simpler themes, moving away from the tradition embodied by <em><strong>Metastasio</strong></em>, with his triumphant heroes and moralistic tales. By tackling a contemporary subject, <strong><em>L’Opera seria</em></strong> plays a role in the aesthetic debate of its time, offering a comedic portrayal of the serious melodrama world, balancing between the sublime and the ridiculous.</p>
<p>The plot, despite its misunderstandings, is relatively simple. After an exchange of pleasantries, the poet <em><strong>Delirio</strong> </em>and the musician <em><strong>Sospiro</strong> </em>fail to agree on the form of the new opera. The impresario <em><strong>Fallito</strong> </em>intervenes, displeasing not only the two men but also the singers. After rehearsals, the performance of the pompous opera provokes mockery and comments from the audience. Only the intervention of the choreographer and the ballet corps saves the evening. In the end, the prima donnas argue, and it is revealed that the impresario has fled with the cash!</p>
<p>The task of amusing <a href="https://actualites.music-opera.com/en/tag/teatro-alla-scala-en"><span style="text-decoration: underline;"><strong>La Scala</strong></span></a>’s audience falls to the brilliant director <a href="https://actualites.music-opera.com/en/tag/laurent-pelly-en"><span style="text-decoration: underline;"><strong>Laurent Pelly</strong></span></a>, with a first-class cast—<a href="https://actualites.music-opera.com/en/tag/teatro-alla-scala-en"><span style="text-decoration: underline;"><strong>La Scala</strong></span></a> standard, of course! The renowned conductor <a href="https://actualites.music-opera.com/en/tag/christophe-rousset-en"><span style="text-decoration: underline;"><strong>Christophe Rousset</strong></span></a> will lead <strong><em>Les Talens Lyriques</em></strong> along with the <strong><em>Orchestra del Teatro alla Scala</em></strong>, performing on period instruments. Among the singers, <strong>Julie Fuchs</strong> and <strong>Pietro Spagnoli</strong> will undoubtedly make full use of their comedic talents. A delightful evening awaits at La Scala in Milan!</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/teatro-alla-scala-italie-milano/l-operia-seria-gassmann-1980821.html"><span style="text-decoration: underline;"><strong>To attend performances of this opera, click here!</strong></span></a></p>
<p style="text-align: right;"><em>Christophe Rousset &#8211; c &#8211; Eric Larrayadieu</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/an-opera-seria-anything-but-serious-at-teatro-alla-scala">An Opera Seria – Anything but Serious at Teatro alla Scala</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Orlando’s Madness at the Châtelet</title>
		<link>https://actualites.music-opera.com/en/orlandos-chatelet</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Tue, 10 Dec 2024 10:43:15 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
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		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Théâtre du Châtelet]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15691</guid>

					<description><![CDATA[<p>Since Olivier Py took over its reins, the Théâtre du Châtelet has been reconnecting with successful productions. Following the frenzy of Les Misérables, a true hero in the grip of madness will grace the legendary Parisian stage from January 23 to February 2, 2025. Handel’s powerful opera Orlando will be conducted by Christophe Rousset (a [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/orlandos-chatelet">Orlando’s Madness at the Châtelet</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Since <strong>Olivier Py</strong> took over its reins, the<strong> Théâtre du Châtelet</strong> has been reconnecting with successful productions. Following the frenzy of <em>Les Misérables</em>, a true hero in the grip of madness will grace<strong> the legendary Parisian stage from January 23 to February 2, 2025</strong>. <strong>Handel’s powerful opera <em>Orlando</em> </strong>will be conducted by <strong>Christophe Rousset</strong> (a prestigious new regular at the venue after a revival of <em>Così fan tutte</em> last season) leading<strong> Les Talens Lyriques</strong>, with a stellar Handelian cast. <strong>Siobhan Stagg, Elizabeth DeShong, Giulia Semenzato, and Riccardo Novaro</strong> will accompany the madness of Orlando, portrayed by<strong> Katarina Bradić</strong>. The highly anticipated staging by <strong>Jeanne Desoubeaux</strong>, with its museum-like aesthetic, promises to captivate.</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;"><em><strong>Get your tickets for Orlando</strong></em></span></p>
<p>&nbsp;</p>
<p style="text-align: right;"><em>(c) Théâtre du Châtelet</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/orlandos-chatelet">Orlando’s Madness at the Châtelet</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Is War Declared at the Elbphilharmonie?</title>
		<link>https://actualites.music-opera.com/en/is-war-declared-at-the-elbphilharmonie</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Tue, 17 Sep 2024 08:00:19 +0000</pubDate>
				<category><![CDATA[Concert]]></category>
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		<category><![CDATA[John Eliot Gardiner]]></category>
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		<category><![CDATA[The Constellation]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14988</guid>

					<description><![CDATA[<p>After the Monteverdi Choir and the English Baroque Soloists parted ways with their founding conductor John Eliot Gardiner this summer, Gardiner has decided to form a new ensemble, The Constellation. The situation wouldn’t seem so peculiar if Gardiner hadn&#8217;t managed to insert himself into the 2024-2025 season at the Elbphilharmonie—with the same program, but one [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/is-war-declared-at-the-elbphilharmonie">Is War Declared at the Elbphilharmonie?</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="ewa-rteLine">After the <strong>Monteverdi Choir</strong> and the <strong>English Baroque Soloists</strong> parted ways with their founding conductor<strong> John Eliot Gardiner</strong> this summer,<strong> Gardiner</strong> has decided to form a new ensemble,<strong> The Constellation</strong>. The situation wouldn’t seem so peculiar if <strong>Gardiner</strong> hadn&#8217;t managed to insert himself into the <strong>2024-2025 season</strong> at the<strong> Elbphilharmonie</strong>—with the same program, but one week earlier. On <strong>December 7, 2024</strong>, audiences will hear <strong>Charpentier’s <em>Messe de Minuit à quatre voix</em> </strong>and <strong>Bach</strong>’s<strong> Cantatas BWV 36</strong> and <strong>BWV 110</strong>, conducted by <strong>Gardiner</strong> with his new ensemble. A week later, on<strong> December 14</strong>, the same works will be performed by the <strong>Monteverdi Choir</strong> and the<strong> English Baroque Soloists</strong> as originally scheduled, but this time under the baton of <strong>Christophe Rousset</strong>, replacing the controversial conductor. Who to choose in case of a musical divorce?</div>
<p>&nbsp;</p>
<div><a href="https://www.music-opera.com/en/venues/hamburg-elbphilharmonie-gro-er-saal.html"><span style="text-decoration: underline;"><strong>Discover all upcoming performances at the Elbphilharmonie</strong></span></a></div>
<p>&nbsp;</p>
<div style="text-align: right;"><em>Monteverdi Choir &#8211; English Baroque Soloists © Bruno Moussier</em></div>
<p>The post <a href="https://actualites.music-opera.com/en/is-war-declared-at-the-elbphilharmonie">Is War Declared at the Elbphilharmonie?</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Christophe Rousset and Thomas Eitler-de Lint Have Choirs in Common</title>
		<link>https://actualites.music-opera.com/en/christophe-rousset-and-thomas-eitler-de-lint-have-choirs-in-common</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 16 Sep 2024 08:34:40 +0000</pubDate>
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		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14980</guid>

					<description><![CDATA[<p>Two of the most famous choirs in Europe have just announced some changes. The Bayreuth Festival has recruited Thomas Eitler-de Lint, formerly of the Oper Leipzig, to take over the direction of the famous choir at Germany’s greatest festival. As the job is seasonal, Eitler-de Lint will retain his duties in Leipzig. In England, the [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/christophe-rousset-and-thomas-eitler-de-lint-have-choirs-in-common">Christophe Rousset and Thomas Eitler-de Lint Have Choirs in Common</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="ewa-rteLine">Two of the most famous choirs in Europe have just announced some changes. The <strong>Bayreuth Festival</strong> has recruited <strong>Thomas Eitler-de Lint</strong>, formerly of the <strong>Oper Leipzig</strong>, to take over the direction of the famous choir at Germany’s greatest festival. As the job is seasonal, <strong>Eitler-de Lint</strong> will retain his duties in<strong> Leipzig</strong>. In England, the <strong>Monteverdi Choir</strong> and its counterparts, the <strong>English Baroque Soloists</strong>, announced this summer that they were parting ways with their founder, <strong>John Eliot Gardiner</strong>. After acts of violence that made headlines last year, the conductor has resigned. <strong>Christophe Rousset</strong> has been chosen to lead a major tour scheduled for <strong>Christmas</strong> and other concerts in <strong>2025</strong>.</div>
<p>&nbsp;</p>
<div><a href="https://www.music-opera.com/en/artistes/24794-christophe-rousset.html"><span style="text-decoration: underline;"><strong>Discover Christophe Rousset&#8217;s upcoming performances</strong></span></a></div>
<p>&nbsp;</p>
<div style="text-align: right;"><em>Christophe Rousset © Eric Larraydieu ; Thomas Eitler de Lint © Sylvio Hoffmann</em></div>
<p>The post <a href="https://actualites.music-opera.com/en/christophe-rousset-and-thomas-eitler-de-lint-have-choirs-in-common">Christophe Rousset and Thomas Eitler-de Lint Have Choirs in Common</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Théâtre des Champs-Élysées &#8211; 2024-2025</title>
		<link>https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 05 Aug 2024 08:00:26 +0000</pubDate>
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		<category><![CDATA[Philippe Jaroussky]]></category>
		<category><![CDATA[Pierre-Laurent Aimard]]></category>
		<category><![CDATA[Pretty Yende]]></category>
		<category><![CDATA[Riccardo Massi]]></category>
		<category><![CDATA[Rotterdam Philharmonic Orchestra]]></category>
		<category><![CDATA[Sabine Devieilhe]]></category>
		<category><![CDATA[Sandrine Piau]]></category>
		<category><![CDATA[Sharon Eyal]]></category>
		<category><![CDATA[Sol Gabetta]]></category>
		<category><![CDATA[Sophie Pondjiclis]]></category>
		<category><![CDATA[Tabea Zimmermann]]></category>
		<category><![CDATA[Théâtre des Champs-Elysées]]></category>
		<category><![CDATA[Thibault Cauvin]]></category>
		<category><![CDATA[Ton Koopman]]></category>
		<category><![CDATA[Vienna Philharmonic Orchestra]]></category>
		<category><![CDATA[Yannick-Nézet-Séguin]]></category>
		<category><![CDATA[Zubin Mehta]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14545</guid>

					<description><![CDATA[<p>The 2024-2025 season at the Théâtre des Champs-Élysées is special for many reasons. It marks the final season curated by Michel Franck, the vibrant artistic director who has been at the helm since 2010. To celebrate, he has prepared a dazzling lineup that will delight all music lovers. Some events are bound to be highly [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025">Théâtre des Champs-Élysées &#8211; 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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										<content:encoded><![CDATA[<p>The <strong>2024-2025 season</strong> at the <a href="https://actualites.music-opera.com/tag/theatre-des-champs-elysees-en"><span style="text-decoration: underline;"><strong>Théâtre des Champs-Élysées</strong></span></a> is special for many reasons. It marks the final season curated by <strong>Michel Franck,</strong> the vibrant artistic director who has been at the helm since 2010. To celebrate, he has prepared a dazzling lineup that will delight all music lovers. Some events are bound to be highly sought after, so it is particularly important to book tickets in advance this season, especially for the operas.</p>
<p>The <strong>2024-2025 season</strong> at the <a href="https://actualites.music-opera.com/tag/theatre-des-champs-elysees-en"><span style="text-decoration: underline;"><strong>TCE</strong></span></a> encapsulates<strong> Michel Franck</strong>’s artistic choices. He has always been adept at presenting a wide range of repertoires, with perhaps a slight preference for<strong> baroque music</strong>. Opera enthusiasts are especially spoiled this season with offerings like <strong>Handel</strong>&#8216;s magnificent masterpiece, <em>Semele</em>, featuring the beloved soprano <strong>Pretty Yende</strong>. This new production by <strong>Olivier Mears</strong>, directed by <strong>Emmanuelle Haïm</strong>, promises to be a highlight. France’s premier tenor, the dynamic <strong>Benjamin Bernheim</strong>, will perform his first Parisian <em>Werther</em>, staged by<strong> Christof Loy</strong>, alongside the impressive mezzo-soprano <a href="https://actualites.music-opera.com/tag/marina-viotti-en"><span style="text-decoration: underline;"><strong>Marina Viotti</strong></span></a>. <strong>Viotti</strong> also stars in another major production, <em>Der Rosenkavalier</em>, an eagerly anticipated event with <strong>Marlis Petersen</strong> and Regula Mühlemann.</p>
<p>A noteworthy event is the revival of <strong>Poulenc’</strong>s <em>Dialogues des Carmélites</em>, directed by <strong>Olivier Py</strong>. <strong>Patricia Petibon</strong>, who previously moved audiences as <em><strong>Blanche de la Force</strong></em>, now takes on the role of <strong>Mère Marie</strong>, symbolizing the continuity and transmission of operatic history. The season also features acclaimed soprano <strong>Anna Netrebko</strong>, and eagerly anticipated recitals by<strong> Philippe Jaroussky, Pretty Yende, and Jakub Józef Orliński.</strong></p>
<p><strong>Concert versions of operatic works</strong> will undoubtedly generate the most excitement. Highlights include <strong>Julien Chauvin</strong>’s presentation of <strong>Handel</strong>&#8216;s <em>La Resurrezione</em> and <em>Jephtha</em> with an outstanding cast including <strong>Michael Spyres, Joyce DiDonato, Mélissa Petit,</strong> and <strong>Francesco Corti</strong>. A rare performance of <strong>Handel</strong>’s oratorio <em>Deborah</em> will be conducted by <strong>Ton Koopman</strong>.<strong> Mozart</strong>’s works are also prominent, with the<em><strong> Da Ponte trilogy</strong></em> entrusted to <strong>Alexis Kossenko</strong> (<em>Don Giovanni</em>), <strong>Giovanni Antonini</strong> (<em>Le nozze di Figaro</em>), and <strong>Marc Minkowski</strong> (<em>Così fan tutte</em>). Another beautiful <strong>Mozart</strong> opera in concert form, <em>Mitridate, re di Ponto</em>, will be conducted by <strong>Christophe Rousset</strong>. Notable performances include a <em>Requiem</em> featuring<strong> Lisette Oropesa, Eve-Maud Hubeaux, Cyrille Dubois</strong>, and <strong>Nahuel di Pierro.</strong></p>
<p>Among the season’s highlights are <strong>Weber</strong>&#8216;s romantic opera <em>Freischütz</em>, conducted by <strong>Antonello Manacorda</strong> with <strong>Charles Castronovo</strong> and <strong>Golda Schultz</strong>, and <strong>Rossini</strong>&#8216;s<em> Le Comte Ory</em> with <strong>Cyrille Dubois</strong>.<strong> Elsa Dreisig</strong> will star as a divine <em>Alcina</em> in<strong> Handel</strong>’s opera, alongside <strong>Emily D’Angelo, Sandrine Piau</strong>, and<strong> Alex Rosen</strong>. <em>Andrea Chénier</em> by <strong>Giordano</strong> will feature the stellar voices of <strong>Riccardo Massi, Anna Pirozzi, Enkhbat Amartuvshin</strong>, and<strong> Sophie Pondjiclis</strong>. Audiences can also look forward to <strong>Marie-Nicole Lemieux</strong> in <strong>Rossini</strong>&#8216;s <em>L’Italiana in Algeri</em> and <a href="https://actualites.music-opera.com/tag/sabine-devieilhe-en"><span style="text-decoration: underline;"><strong>Sabine Devieilhe</strong></span></a> in both <strong>Mozart</strong> and <strong>Boulez</strong>, celebrating his centennial.</p>
<p>The dance segment is equally unmissable, with performances by prominent choreographers such as<strong> Akram Khan, Carolyn Carlson, Mats Ek,</strong> and <strong>Sharon Eyal</strong>, along with an emotional holiday appearance by the<strong> National Opera Ballet of Ukraine</strong>. The season will be filled with major concerts and events. <strong>Martha Argerich</strong> opens the season with <strong>Lahav Shani</strong> and the <strong>Rotterdam Philharmonic Orchestra</strong>. Renowned pianists like <strong>Elisabeth Leonskaja, Evgeny Kissin, Grigory Sokolov, Mikhail Pletnev, Pierre-Laurent Aimard, Nikolai Lugansky, Nelson Goerner, David Fray, Adam Laloum, Benjamin Grosvenor,</strong> and a new generation of stars including<strong> Jonathan Fournel, Bruce Liu, Dmitry Masleev, Jan Lisiecki</strong>, and the <strong>Jussen brothers</strong> will grace the stage. Other notable soloists include<strong> Gidon Kremer, Tabea Zimmermann, Thibault Cauvin</strong> with the pop artist and guitarist <strong>-M-, Sol Gabetta, Gautier Capuçon, Emmanuel Pahud, Nemanja Radulovic</strong> with his<strong> Ensemble Double Sens</strong>, and<strong> Edgar Moreau</strong> performing <strong>Bach</strong>. The loyalty of great conductors like <strong>Zubin Mehta, Daniele Gatti, Yannick Nézet-Séguin,</strong> and the <strong>Vienna Philharmonic Orchestra</strong> underscores the exceptional nature of the <strong>2024-2025 season</strong>, making it a must-see. <strong>Reservations are now open for all the events of this extraordinary season!</strong></p>
<p><a href="https://www.music-opera.com/en/venues/paris-theatre-des-champs-elysees.html"><span style="text-decoration: underline;"><strong>Get your tickets now for the new 2024-2025 season at the Théâtre des Champs-Elysées</strong></span></a></p>
<p style="text-align: right;"><em>© Hartl Meyer</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025">Théâtre des Champs-Élysées &#8211; 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Comeback of Lully after Gluck at the Opéra Comique</title>
		<link>https://actualites.music-opera.com/en/14295-2</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Thu, 16 May 2024 08:00:59 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Ambroisine Bré]]></category>
		<category><![CDATA[Armide]]></category>
		<category><![CDATA[Bruno de Lavenère]]></category>
		<category><![CDATA[Christophe Rousset]]></category>
		<category><![CDATA[Cyrille Dubois]]></category>
		<category><![CDATA[Gluck]]></category>
		<category><![CDATA[Lilo Baur]]></category>
		<category><![CDATA[Lully]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[Philippe Quinault]]></category>
		<category><![CDATA[Talens Lyriques]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14295</guid>

					<description><![CDATA[<p>The terrible Armide has inspired many opera composers of genius. The Opéra Comique welcomes the heroine back from 17 to 25 June 2024, but it&#8217;s not the same music. Music lovers who heard Gluck&#8216;s Armide last season will be able to draw comparisons with Lully&#8216;s Armide, with the same libretto by Philippe Quinault and the [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/14295-2">Comeback of Lully after Gluck at the Opéra Comique</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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										<content:encoded><![CDATA[<p>The terrible <strong>Armide</strong> has inspired many opera composers of genius. The<strong> Opéra Comique</strong> welcomes the heroine back from<strong> 17 to 25 June 2024</strong>, but it&#8217;s not the same music. Music lovers who heard <strong>Gluck</strong>&#8216;s<strong> Armide</strong> last season will be able to draw comparisons with <strong>Lully</strong>&#8216;s <strong>Armide</strong>, with the same libretto by <strong>Philippe Quinault</strong> and the same sets by<strong> Bruno de Lavenère</strong>. Director <strong>Lilo Baur</strong> is back at it again, with a different score and a completely new cast. <strong>Ambroisine Bré</strong> and <strong>Cyrille Dubois</strong> take on the roles of <strong>Armide</strong> and <strong>Renaud</strong> under the eagerly awaited direction of the great specialist <strong>Christophe Rousset</strong> at the helm of his <strong>Talens Lyriques</strong>.<br />
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<a href="https://www.music-opera.com/en/opera-comique/armide-gluck-1541356.html"><span style="text-decoration: underline;"><strong>Discover Armide by Lully at the Opéra Comique</strong></span></a><br />
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<p style="text-align: right;"><em>Armide © Opera Comique website</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/14295-2">Comeback of Lully after Gluck at the Opéra Comique</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Thésée versus Médée in Europe</title>
		<link>https://actualites.music-opera.com/en/thesee-versus-medee-in-europe</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Tue, 21 Feb 2023 09:00:48 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Christophe Rousset]]></category>
		<category><![CDATA[Karine Deshayes]]></category>
		<category><![CDATA[Mathias Vidal]]></category>
		<category><![CDATA[Namur Chamber choir]]></category>
		<category><![CDATA[Palais des Beaux Arts]]></category>
		<category><![CDATA[Talens Lyriques]]></category>
		<category><![CDATA[Théâtre des Champs-Elysées]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=12149</guid>

					<description><![CDATA[<p>After Psyché in 2022, Christophe Rousset, the great specialist in Lully&#8217;s operas, returns to Thésée, the composer&#8217;s third lyric tragedy. With the Talens Lyriques and the Namur Chamber Choir, the conductor has brought together the finest French singers with Mathias Vidal and above all the great voice of Karine Deshayes, who will perform as the [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/thesee-versus-medee-in-europe">Thésée versus Médée in Europe</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>After Psyché in 2022, <strong>Christophe Rousset</strong>, the great specialist in Lully&#8217;s operas, returns to Thésée, the composer&#8217;s third lyric tragedy. With the <strong>Talens Lyriques</strong> and the <strong>Namur Chamber Choir</strong>, the conductor has brought together the finest French singers with <strong>Mathias Vidal</strong> and above all the great voice of <strong>Karine Deshayes</strong>, who will perform as the role of Medea, in a concert version at the <strong>MuseumsQuartier</strong> in Vienna on <strong>1 March 2023</strong>, at the <strong>Palais des Beaux-Arts</strong> in Brussels on <strong>12 March</strong> and finally at the <strong>Théâtre des Champs-Elysées</strong> on 22 March.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/works/lully-thesee.html"><span style="text-decoration: underline;"><strong>Your tickets here</strong></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p style="text-align: right;"><em>(c) Talens Lyriques &#8211; DR</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/thesee-versus-medee-in-europe">Thésée versus Médée in Europe</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>All of Schubert at the Châtelet</title>
		<link>https://actualites.music-opera.com/en/all-of-schubert-at-the-chatelet</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 18 Jan 2023 09:00:30 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Théâtre du Châtelet]]></category>
		<category><![CDATA[Christophe Rousset]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Talens Lyriques]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=11948</guid>

					<description><![CDATA[<p>The great baroque conductor Christophe Rousset, who is very much on top of his game at the head of his Talens Lyriques, is conducting a complete set of Schubert&#8217;s symphonies at the Théâtre du Châtelet in three concerts, on 27 January 2023 (Symphonies Nos. 2, 4 &#38; 6), 29 January (Symphonies Nos. 1, 3 &#38; [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/all-of-schubert-at-the-chatelet">All of Schubert at the Châtelet</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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										<content:encoded><![CDATA[<p>The great baroque conductor <strong>Christophe Rousset</strong>, who is very much on top of his game at the head of his <strong>Talens Lyriques</strong>, is conducting a complete set of Schubert&#8217;s symphonies at the <strong>Théâtre du Châtelet</strong> in three concerts, on <strong>27 January 2023</strong> (Symphonies Nos. 2, 4 &amp; 6), <strong>29 January</strong> (Symphonies Nos. 1, 3 &amp; 8) and <strong>31 January</strong> (Symphonies Nos. 5 &amp; 9). This <strong>All-Schubert’s symphonies concert</strong> is performed for the first time by the Talens Lyriques.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/institution/theatre-du-chatelet.html?persons=24794"><span style="text-decoration: underline;"><strong>Your tickets here</strong></span></a></p>
<p>&nbsp;</p>
<p style="text-align: right;">
<p style="text-align: right;"><em>Christophe Rousset (c) Les Talens Lyriques</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/all-of-schubert-at-the-chatelet">All of Schubert at the Châtelet</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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