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	<title>Concertgebouw | News Music &amp; Opera</title>
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		<title>Last Chance for Khatia Buniatishvili!</title>
		<link>https://actualites.music-opera.com/en/last-chance-for-khatia-buniatishvili</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 17 Feb 2025 09:27:33 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Amsterdam]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Chopin]]></category>
		<category><![CDATA[Concertgebouw]]></category>
		<category><![CDATA[F. Couperin]]></category>
		<category><![CDATA[Halle aux Grains]]></category>
		<category><![CDATA[Khatia Buniatishvili]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Satie]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Toulouse]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=16106</guid>

					<description><![CDATA[<p>Khatia Buniatishvili is not only a great pianist but also one of the few classical musicians widely known to the general public. Without breaking the codes of classical music even in her glamourous dress, her intelligently crafted recitals convey passion and evoke deep emotions for those fortunate enough to attend. The downside of such stardom [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/last-chance-for-khatia-buniatishvili">Last Chance for Khatia Buniatishvili!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://actualites.music-opera.com/en/tag/khatia-buniatishvili-en"><span style="text-decoration: underline;"><strong>Khatia Buniatishvili</strong></span></a> is not only a great pianist but also one of the few classical musicians widely known to the general public. Without breaking the codes of classical music even in her glamourous dress, her intelligently crafted recitals convey passion and evoke deep emotions for those fortunate enough to attend.</p>
<p>The downside of such stardom is that securing tickets can be challenging if not planned well in advance. As she performs in <strong>Toulouse</strong> at the <a href="https://actualites.music-opera.com/tag/halle-aux-grains-en"><span style="text-decoration: underline;"><strong>Halle aux Grains</strong></span></a> on <strong>March 18, 2025</strong>, with a program featuring <strong>Schubert, Chopin, Liszt,</strong> and <strong>Mozart</strong>, the concert is already nearly sold out.</p>
<p>However, fans still have the opportunity to attend her recital at the legendary <a href="https://actualites.music-opera.com/en/tag/concertgebouw-en"><span style="text-decoration: underline;"><strong>Concertgebouw</strong></span></a> in <strong>Amsterdam</strong> on <strong>May 25, 2025</strong>. With a playful program including works by <strong>Satie, Chopin, Bach, Schubert, F. Couperin, </strong>and<strong> Liszt</strong>, tickets are still available—for now!</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/artiste/4050-khatia-buniatishvili.html"><span style="text-decoration: underline;"><strong>To see Khatia Buniatishvili at a concert, click here! </strong></span></a></p>
<p style="text-align: right;"><em> Khatia Buniatishvili &#8211; c &#8211; Joel Sager</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/last-chance-for-khatia-buniatishvili">Last Chance for Khatia Buniatishvili!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<item>
		<title>Rameau from Versailles, Namur and Bruges</title>
		<link>https://actualites.music-opera.com/en/rameau-versailles</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Tue, 22 Oct 2024 07:45:53 +0000</pubDate>
				<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bruges]]></category>
		<category><![CDATA[Centre de Musique Baroque de Versailles]]></category>
		<category><![CDATA[Concertgebouw]]></category>
		<category><![CDATA[Grand Manège]]></category>
		<category><![CDATA[Namur]]></category>
		<category><![CDATA[Pygmalion]]></category>
		<category><![CDATA[Rameau]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15360</guid>

					<description><![CDATA[<p>Reinoud Van Mechelen and his ensemble a nocte temporis have already demonstrated their affinity with the repertoire of Rameau. A new project brings them closer once again to the great French composer of the 17th century with the famous Pygmalion, a one-act ballet created in 1748. In collaboration with the Centre de Musique Baroque de [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/rameau-versailles">Rameau from Versailles, Namur and Bruges</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Reinoud Van Mechelen</strong> and his ensemble<strong> a nocte temporis</strong> have already demonstrated their affinity with the repertoire of <strong>Rameau</strong>. A new project brings them closer once again to the <strong>great French composer of the 17th century</strong> with the famous <strong><em>Pygmalion</em></strong>, a one-act <strong>ballet</strong> created in <strong>1748</strong>. In collaboration with the <strong>Centre de Musique Baroque de Versailles</strong> and the <strong>Grand Manège</strong> in <strong>Namur</strong>, they present a historically informed version, benefiting from the work of musicologists on the art of singing and orchestral practices of the time.</p>
<p>But that’s not all! During the three performances given in <strong>Namur</strong> (<strong>Grand Manège</strong>, on November 28, 2024), <strong>Bruges</strong> (<strong>Concertgebouw</strong> Brugge, <strong>on November 29</strong>), and finally in the <strong>Salon d&#8217;Hercule</strong> of the <strong>Château de Versailles</strong> (on <strong>December 2</strong>), another work is on the program: <strong><em>Zémide</em></strong> by <strong>Iso</strong>. Created in <strong>1756</strong>, this piece did not establish a lasting place in the repertoire, even though it represents the aesthetic of <strong>Louis XV</strong>&#8216;s reign and also the influence of his favorite, the <strong>Marquise de Pompadour</strong>. For this rediscovery, <strong>Benoît Dratwicki</strong> (artistic director of the <strong>CMBV</strong>) has recomposed missing parts.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/salle/versailles-chateau-salon-d-hercule.html"><span style="text-decoration: underline;"><strong>For more infos on the events of the Château de Versailles, click there!</strong></span></a></p>
<p style="text-align: right;"><em>Château de Versailles et portrait de Jean-Philippe Rameau © POI &#8211; Getty</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/rameau-versailles">Rameau from Versailles, Namur and Bruges</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<item>
		<title>The new star of French piano at the Concertgebouw</title>
		<link>https://actualites.music-opera.com/en/the-new-star-of-french-piano-at-the-concertgebouw</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 24 Apr 2024 08:00:48 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Amsterdam]]></category>
		<category><![CDATA[Bruges]]></category>
		<category><![CDATA[Concertgebouw]]></category>
		<category><![CDATA[Concerto]]></category>
		<category><![CDATA[Franck]]></category>
		<category><![CDATA[Hayoung Choi]]></category>
		<category><![CDATA[Jonathan Fournel]]></category>
		<category><![CDATA[Konzerthaus]]></category>
		<category><![CDATA[Netherlands]]></category>
		<category><![CDATA[Pianist]]></category>
		<category><![CDATA[Piano]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Szymanowski]]></category>
		<category><![CDATA[Timothy Chooi]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[violin]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14228</guid>

					<description><![CDATA[<p>While enjoying an exemplary career, the young French pianist Jonathan Fournel (winner of the 2021 Queen Elisabeth of Belgium International Music Competition) is continuing his meteoric rise. After a recent recital at the Concertgebouw in Amsterdam, the holy of holies of concert halls, he returns to Beethoven at the Concertgebouw in Bruges this time, with [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/the-new-star-of-french-piano-at-the-concertgebouw">The new star of French piano at the Concertgebouw</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>While enjoying an exemplary career, the young French pianist <strong>Jonathan Fournel</strong> (winner of the 2021 Queen Elisabeth of Belgium International Music Competition) is continuing his meteoric rise. After a recent recital at the<strong> Concertgebouw</strong> in <strong>Amsterdam</strong>, the holy of holies of concert halls, he returns to <strong>Beethoven</strong> at the<strong> Concertgebouw</strong> in <strong>Bruges</strong> this time, with the triple <strong>concerto</strong>, which he performs alongside <strong>Timothy Chooi</strong> on violin and<strong> Hayoung Choi</strong> on cello, other rising stars of the younger generation. Music lovers will then follow him to<strong> Vienna</strong> where he performs a <strong>Schubert</strong>,<strong> Franck</strong> and<strong> Szymanowski</strong> recital at the <strong>Konzerthaus</strong> on <strong>29 May 2024</strong>.<br />
&nbsp;<br />
<a href="https://www.music-opera.com/en/konzerthaus-schubert-saal-autriche-wien/schubert-franck-szymanowski-1601220.html"><span style="text-decoration: underline;"><strong>Discover Jonathan Fournel in Vienna </strong></span></a><br />
&nbsp;</p>
<div class="filename" style="text-align: right;"><em>Jonathan Fournel © Derek Prager / Concours Reine Elisabeth</em></div>
<p>The post <a href="https://actualites.music-opera.com/en/the-new-star-of-french-piano-at-the-concertgebouw">The new star of French piano at the Concertgebouw</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<item>
		<title>Holloway in Budapest, Druet in Amsterdam</title>
		<link>https://actualites.music-opera.com/en/holloway-in-budapest-druet-in-amsterdam</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 27 Dec 2023 09:00:21 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Concertgebouw]]></category>
		<category><![CDATA[Cyrille Dubois]]></category>
		<category><![CDATA[Edouard Lalo]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=13649</guid>

					<description><![CDATA[<p>2023 was a busy year for commemorations, but apart from the Callas and Ligeti centenaries, not all the artists and composers received the same media coverage. Such is the case of Edouard Lalo, born on 27 January 1823, who received little coverage on his 200th birthday. The Palazzetto Bru Zane makes up for this injustice [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/holloway-in-budapest-druet-in-amsterdam">Holloway in Budapest, Druet in Amsterdam</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>2023 was a busy year for commemorations, but apart from the Callas and Ligeti centenaries, not all the artists and composers received the same media coverage. Such is the case of <strong>Edouard Lalo</strong>, <strong>born on 27 January 1823</strong>, who received little coverage on his 200th birthday. The<strong> Palazzetto Bru Zane</strong> makes up for this injustice by offering a concert version of his most famous opera on <strong>11 January 2024 in Budapest and 3 February at the Concertgebouw in Amsterdam</strong>. Under the perfect musical direction of <strong>Gyorgy Vashegyi</strong>,<strong> Le Roi d&#8217;Ys</strong> will be performed by <strong>Cyrille Dubois</strong> in the role of Mylio.<strong> Jennifer Holloway</strong> in Budapest and<strong> Isabelle Druet</strong> in Amsterdam, of whom we are delighted to see again at the top of the bill, share the role of Margared.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/concertgebouw-pays-bas-amsterdam/le-roi-d-ys-lalo-1594775.html"><span style="text-decoration: underline;"><strong>Le Roi d&#8217;Ys in Amsterdam</strong></span></a></p>
<p style="text-align: right;"><em><span class="mw-mmv-title">Édouard Lalo (c) Pierre Petit</span></em></p>
<p>The post <a href="https://actualites.music-opera.com/en/holloway-in-budapest-druet-in-amsterdam">Holloway in Budapest, Druet in Amsterdam</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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