To be fair, José Martinez, the company’s Director of Dance, has pulled off quite the coup: the first cast brings together no fewer than five Étoiles of the Paris Opera Ballet on the Garnier stage — a rare and resplendent event within the company’s historic walls. The tale of Diana’s nymph will be brought vividly to life by Amandine Albisson in the title role, with Germain Louvet as Aminta, Guillaume Diop as Eros, and Marc Moreau as Orion. As for Diana, goddess of the hunt, she will be portrayed by Roxane Stojanov — newly promoted to Étoile at the dawn of 2025!

Manuel Legris, a former Étoile of the company and now a distinguished choreographer, offers a faithful revival of Louis Mérante’s original version, set to the luminous score by Léo Delibes. Faithful, however, does not mean static — Manuel Legris has infused the work with the elegance of the French ballet tradition, combined with a thoroughly modern technical rigour.

And with a five-star cast already in place, José Martinez has entrusted the supporting roles to the company’s virtuoso Premiers Danseurs — Florent Mélac will dance Endymion, Francesco Mura becomes the Faun, and the radiant young Inès McIntosh, full of promise, will perform the Naiad. By spotlighting soloists beloved by audiences — some already prizewinners — José Martinez signals his intention to shake up the company’s famously hierarchical system by offering rising stars a chance to shine now, not later.

The premiere of Sylvia, now entering the Paris Opera Ballet’s repertoire, is already nearly sold out — but this same dazzling constellation of dancers will return for performances on 10, 21 and 23 May 2025.

Secure your seats now — before they vanish!

CLICK HERE FOR THE LAST REMAINING TICKETS!

To learn more about this new production, click also here!

Amandine Albisson, Marc Moreau, Germain Louvet, Guillaume Diop & Roxane Stojanov – c – James Bort & Matthew Brookes (source : OnP)

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Designed as a springboard into professional life, the Junior Ballet’s mission is to train and support a new generation of dancers selected to follow a two-year programme at most. By offering a carefully supervised stage experience, it enables these young artists to develop autonomy, physical stamina, and stage presence – all essential qualities for eventually joining a major company such as the Paris Opera Ballet.

Unlike the main troupe, the Junior Ballet does not perform in Paris’s iconic venues like the Palais Garnier or the Opéra Bastille, but instead focuses on a broader reach, both across France and internationally.

This initiative is also a wonderful opportunity for ballet enthusiasts and world-renowned dance companies to scout the talents and future stars of tomorrow. After a stop in Greece, the Junior Ballet will take to the stage of the Royal Opera of Versailles from 12 to 14 June 2025, presenting a programme that brings together leading names in neo-classical and contemporary choreography, such as George Balanchine, Maurice Béjart, and José Martinez himself.

A unique chance to witness the next generation of dance in a truly exceptional heritage setting.

Prenez-vite vos places pour voir le Junior Ballet, en cliquant ici !

Junior Ballet with José Martinez – c – Julien Benhamou

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At the end of the performance on Saturday 28 December 2025 at the Opéra Bastille, the young dancer was nominated to the  applause of the audience, who were always very moved by her performance. At less than 30 years old, the artist has been recognised for the excellence of her work by Alexander Neef and Jose Martinez, who took to the stage to announce the promotion.

Roxane Stojanov‘s fine career now continues as an Etoile who will shine in February and March 2025 as Olga in John Cranko‘s ballet Onegin. The dancer will then appear in Appartement, a masterpiece by Mats Ek, also scheduled for April 2025 at the Palais Garnier.

To book your tickets for a performance of the Ballet de l’Opéra de Paris, go to our website !

Roxane Stojanov promoted Etoile – c – Maria-Helena Buckley (Onp)

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On the ballet side, it’s a true celebration with a repertoire festival. Masterpieces of the white ballet such as Tchaikovsky‘s The Sleeping Beauty by Rudolf Nureyev or Pierre Lacotte’s Paquita are mostly at the Opéra Bastille, but the Palais Garnier also includes great classical dance masterpieces in its 2024-2025 ballet season. Classical dance returns with strength in the programming with works like Onegin, the masterpiece of the great choreographer John Cranko. Aficionados will also not want to miss Sylvia, and should book their tickets early! Set to the music of the highly esteemed Léo Delibes, Sylvia is the very first ballet created at the Palais Garnier, which will be presented in the version by Manuel Legris, a famous Étoile dancer of the Paris National Opera and now the renowned director of the La Scala Ballet in Milan. This addition to the repertoire is an event. Other shows that quickly sell out include the season‘s Gala with the Ballet parade, as well as the Demonstrations and the Dance School Show, which are doubled by two exceptional performances. The first unites Maurice Béjart, August Bournonville, and Antony Tudor, while the second features the prestigious names of choreographers William Forsythe and Johan Inger. Throughout the rich 2024-2025 season, dance and ballet enthusiasts will flock to evenings where the new generation meets more established choreographers. Mats Ek’s brilliant Appartement is paired with Sharon Eyal’s OCD Love. All ballet lovers await the creation of the brilliant Hofesh Shechter, and those who have not yet seen it will benefit from the revival to buy their tickets to see the delightful Play by Alexander Ekman, a must-see. Speaking of essentials, Mayerling, the absolute classic masterpiece by choreographer Kenneth MacMillan, will undoubtedly bring a few tears, especially when performed by the Paris National Opera Ballet, one of the most prestigious companies in the world.

Also noteworthy, the chamber music concerts offered by members of the Paris National Opera Orchestra always enjoy great success. Recitals make a notable return to the Palais Garnier.

Music lovers who are fond of great voices will book their seats in advance to not miss the recitals of Benjamin Bernheim, the greatest French tenor of his generation, or the sublime Elina Garanca in French and international melodies. Two great stars are making their return to Garnier, Natalie Dessay and Renée Fleming, an event! Among the new opera productions at the Palais Garnier, there will be laughter with the comic opera that opens the season. Offenbach‘s The Brigands is directed by Barrie Kosky, who has brightened the nights of the Komische Oper in Berlin with his whimsy. The superb cast motivates reservations. What promises to be the season’s great success is almost sold out for the fall of 2024 but will fortunately be revived at the end of the season. One of the most anticipated opera performances at the Palais Garnier for the 2024-2025 season is Rameau’s Castor and Pollux, bringing together a perfect cast with Reinoud Van Mechelen, Marc Mauillon, Jeanine De Bique, and Stéphanie d’Oustrac under the expert direction of the brilliant Teodor Currentzis. This superb baroque opera is eagerly awaited by all specialists. Another anticipated production is the revival of Stravinsky‘s The Rake’s Progress, a chance to rediscover the incredible world of Olivier Py, who delivers a great spectacle here. The story of the Faust myth revisited is embodied by young and very great voices to discover urgently (Golda Schultz and Ben Bliss).

The last events of the 2024-2025 season at the Palais Garnier are exceptional concerts. A concert of the Rolex Ambassadors brings together Sonya Yoncheva, Juan Diego Flórez, Bryn Terfel, Rolando Villazón, Yuja Wang, and the musicians of the Vienna Philharmonic, while the 150th anniversary of the Palais Garnier will be celebrated with a gala featuring Lisette Oropesa and Ludovic Tézier. One must rush to get available tickets as the event is significant!

Get your tickets now for the new 2024-2025 season at the Palais Garnier

© Opéra national de Paris website

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After a long selection period and the study of 23 applications, Alexander Neef‘s final choice was José Martinez: “His brilliant career as a dancer, his experience as a company director and choreographer, as well as his sensitivity to mediation and inclusion actions will ensure the stability, influence and excellence of the Ballet de l’Opéra de Paris”.

Find out about the Paris Opera Ballet’s entire season

(c) Jacopo Medrano

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