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	<title>Kurt Weill | News Music &amp; Opera</title>
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		<title>No More Italian Arias at La Fenice!</title>
		<link>https://actualites.music-opera.com/en/no-more-italian-arias-at-la-fenice</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 23 Apr 2025 07:30:07 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[Der Protagonist]]></category>
		<category><![CDATA[Ezio Toffolutti]]></category>
		<category><![CDATA[Georg Kaiser]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Markus Stenz]]></category>
		<category><![CDATA[Martina Welschenbach]]></category>
		<category><![CDATA[Matthias Koziorowsky]]></category>
		<category><![CDATA[Teatro la Fenice]]></category>
		<category><![CDATA[Teatro Malibran]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=16483</guid>

					<description><![CDATA[<p>A first for Venice’s illustrious Teatro La Fenice: Der Protagonist, the expressionist masterpiece by Kurt Weill, will be performed not at La Fenice itself but on the stage of the Teatro Malibran, across five dates – 2, 4, 10, 13 and 15 May 2025. This remarkable project boasts a brand-new production directed by the celebrated [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/no-more-italian-arias-at-la-fenice">No More Italian Arias at La Fenice!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>A first for Venice’s illustrious <a href="https://actualites.music-opera.com/en/tag/teatro-la-fenice-en"><span style="text-decoration: underline;"><strong>Teatro La Fenice</strong></span></a>: <strong><em>Der Protagonist</em></strong>, the expressionist masterpiece by <strong>Kurt Weill</strong>, will be performed not at <a href="https://actualites.music-opera.com/en/tag/teatro-la-fenice-en"><span style="text-decoration: underline;"><strong>La Fenice</strong></span></a> itself but on the stage of the <strong>Teatro Malibran</strong>, across five dates – <strong>2, 4, 10, 13 and 15 May 2025</strong>. This remarkable project boasts a brand-new production directed by the celebrated <strong>Ezio Toffolutti</strong>, under the baton of <strong>Markus Stenz</strong>, a renowned interpreter of <strong>Weill</strong>’s work.</p>
<p>Composed to a libretto by <strong>Georg Kaiser</strong>, <strong><em>Der Protagonist</em></strong> was <strong>Kurt Weill</strong>’s very first opera. Premiered on <strong>27 March 1926</strong> at the <a href="https://actualites.music-opera.com/en/tag/semperoper-en"><span style="text-decoration: underline;"><strong>Semperoper in Dresden</strong></span></a>, the work is notable for its bold musical language – blending jazz influences, harmonic dissonances and syncopated rhythms. These stylistic traits sharply contrast with the romantic and lyrical tradition typically associated with <a href="https://actualites.music-opera.com/en/tag/teatro-la-fenice-en"><span style="text-decoration: underline;"><strong>La Fenice</strong></span></a>, where Italian giants like <strong>Verdi</strong> and <strong>Puccini</strong> so often reign supreme.</p>
<p>By programming a rarely performed German opera, this prestigious Italian house asserts its <strong>originality</strong> and places itself firmly among the ranks of international stages, in a country known for passionately defending its own operatic repertoire.</p>
<p>The choice also reflects <a href="https://actualites.music-opera.com/en/tag/teatro-la-fenice-en"><span style="text-decoration: underline;"><strong>La Fenice</strong></span></a>’s commitment to breathing life into the great 20th-century works – a refreshing move that might just stir the habits of its devoted audience.</p>
<p>In this captivating opera, each character embodies a “<strong><em>concept</em></strong>” rather than a fully fleshed-out individual. The title role of “<em>The Protagonist</em>” represents the artistic ideal, while another central figure – <em>The Sister</em> – symbolises love in its most human expression.</p>
<p>In the leading roles, <strong>Matthias Koziorowsky</strong> and <strong>Martina Welschenbach</strong> share the spotlight in this production running at the <strong>Teatro Malibran</strong> until <strong>15 May 2025</strong>.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/teatro-malibran-italie-venezia/der-protagonist-weill-2015858.html"><span style="text-decoration: underline;"><strong>TO ATTEND THOSE PERFORMANCES AT LA FENICE, CLICK HERE!</strong></span></a></p>
<p style="text-align: right;"><em>Affiche de la production de </em>Der Protagonist<em> &amp; l&#8217;intérieur du Teatro Malibran &#8211; c &#8211; La Fenice Website</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/no-more-italian-arias-at-la-fenice">No More Italian Arias at La Fenice!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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			</item>
		<item>
		<title>A silver rarity in Nancy</title>
		<link>https://actualites.music-opera.com/en/a-silver-rarity-in-nancy</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 18 Mar 2024 09:00:22 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Der Silbersee]]></category>
		<category><![CDATA[Ersan Mondtag]]></category>
		<category><![CDATA[Gaetano Lo Coco]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Lorraine]]></category>
		<category><![CDATA[Opera National de Lorraine]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14108</guid>

					<description><![CDATA[<p>From 14 to 20 April 2024, the Opéra national de Lorraine presents a rare and unclassifiable masterpiece by Kurt Weill. The opera Der Silbersee (The Silver Lake) premiered in 1933 and was banned by the Nazis after the sixteenth performance. Ersan Mondtag, the new darling of German theatre, directs the show in exuberant costumes and [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/a-silver-rarity-in-nancy">A silver rarity in Nancy</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>From <strong>14 to 20 April 2024</strong>, the <strong>Opéra national de Lorraine</strong> presents a rare and unclassifiable masterpiece by <strong>Kurt Weill</strong>. The opera <strong>Der Silbersee</strong> (The Silver Lake) premiered in 1933 and was banned by the Nazis after the sixteenth performance. <strong>Ersan Mondtag</strong>, the new darling of German theatre, directs the show in exuberant costumes and set design. The musical director is <strong>Gaetano Lo Coco</strong>.<br />
&nbsp;<br />
<a href="https://www.music-opera.com/en/opera-france-nancy/der-silbersee-weill-1686448.html"><span style="text-decoration: underline;"><strong>Discover Der Silbersee at the Opéra national de Lorraine</strong></span></a><br />
&nbsp;</p>
<div style="text-align: right;"><em>Le lac d&#8217;argent © Opéra national de Lorraine</em></div>
<p>The post <a href="https://actualites.music-opera.com/en/a-silver-rarity-in-nancy">A silver rarity in Nancy</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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