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	<title>Olivier Py | News Music &amp; Opera</title>
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		<title>A New Sacrifice of the Carmelites at the TCE</title>
		<link>https://actualites.music-opera.com/en/dialogue-des-carmelites-2</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Thu, 21 Nov 2024 08:00:28 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[Dialogues des carmélites]]></category>
		<category><![CDATA[Karina Canellakis]]></category>
		<category><![CDATA[Michel Franck]]></category>
		<category><![CDATA[Olivier Py]]></category>
		<category><![CDATA[Patricia Petibon]]></category>
		<category><![CDATA[Poulenc]]></category>
		<category><![CDATA[Sophie Koch]]></category>
		<category><![CDATA[Théâtre des Champs-Elysées]]></category>
		<category><![CDATA[Vannina Santoni]]></category>
		<category><![CDATA[Véronique Gens]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15586</guid>

					<description><![CDATA[<p>This production will undoubtedly stand as one of the most memorable of the Michel Franck era. For his final season as general and artistic director of the Théâtre des Champs-Élysées, he has made the excellent decision to revive Dialogues des Carmélites in Olivier Py’s unforgettable staging, running from December 4 to 12, 2024. Poulenc’s masterpiece [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/dialogue-des-carmelites-2">A New Sacrifice of the Carmelites at the TCE</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>This production will undoubtedly stand as one of the most memorable of the <strong>Michel Franck</strong> era. For his final season as general and artistic director of the <strong>Théâtre des Champs-Élysées</strong>, he has made the excellent decision to revive<strong> <em>Dialogues des Carmélites</em></strong> in <strong>Olivier Py</strong>’s unforgettable staging, running from <strong>December 4 to 12, 2024</strong>.</p>
<p><strong>Poulenc</strong>’s masterpiece returns to the <strong>Théâtre des Champs-Élysées</strong> under the baton of American conductor<strong> Karina Canellakis</strong>. On this occasion, to signify the passage of time and the handover between generations, <strong>Patricia Petibon</strong>, who once delivered a remarkable performance as Blanche de la Force, now takes on the role of <strong>Mère Marie</strong>, while <strong>Vannina Santoni</strong> will play the new <strong>Blanche</strong>. <strong>Véronique Gens</strong> reprises her role as <strong>Madame Lidoine</strong>, and <strong>Sophie Koch</strong> takes on the role of <strong>Madame de Croissy</strong>, after having previously portrayed Mère Marie.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/theatre-des-champs-elysees-france-paris/dialogues-des-carmelites-poulenc-1842786.html"><span style="text-decoration: underline;"><strong>To book your tickets for the opera Le Dialogue des Carmélites : cliquez ici !</strong></span></a></p>
<p>&nbsp;</p>
<p style="text-align: right;"><em>Dialogue des Carmélites, 2018 (c) Vincent Pontet</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/dialogue-des-carmelites-2">A New Sacrifice of the Carmelites at the TCE</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Golda Schultz as a Trulove in Paris</title>
		<link>https://actualites.music-opera.com/en/golda-schultz-2</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 20 Nov 2024 08:00:23 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Ben Bliss]]></category>
		<category><![CDATA[Golda Schultz]]></category>
		<category><![CDATA[Iain Paterson]]></category>
		<category><![CDATA[Jamie Barton]]></category>
		<category><![CDATA[Olivier Py]]></category>
		<category><![CDATA[Palais Garnier]]></category>
		<category><![CDATA[Paris Opera]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Susanna Mälkki]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15563</guid>

					<description><![CDATA[<p>A rising star in the world of opera, soprano Golda Schultz returns to the Paris Opera, this time in a leading role. After performing as Micaëla at Bastille in 2023, she will make her debut at the Palais Garnier as Ann Trulove in The Rake’s Progress by Stravinsky, running from November 30 to December 23, [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/golda-schultz-2">Golda Schultz as a Trulove in Paris</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>A rising star in the world of opera, soprano <strong>Golda Schultz</strong> returns to the <strong>Paris Opera</strong>, this time in a leading role.</p>
<p>After performing as <strong>Micaëla</strong> at <strong>Bastille</strong> in <strong>2023</strong>, she will make her debut at the <strong>Palais Garnier</strong> as <strong>Ann Trulove</strong> in <strong><em>The Rake’s Progress</em></strong> by <strong>Stravinsky</strong>, running from <strong>November 30 to December 23, 2024</strong>. Inspired by a series of moralistic engravings by the painter <strong>William Hogarth</strong>, Stravinsky&#8217;s opera offers the soprano the role of a devoted lover who will stop at nothing to save her fiancé, <strong>Tom Rakewell</strong>, from ruin.</p>
<p>The compelling production by <strong>Olivier Py</strong>, his first creation for this prestigious French institution, remains one of his finest achievements. For this second revival, the musical direction is entrusted to <strong>Susanna Mälkki</strong>, with a cast featuring <strong>Golda Schultz</strong> alongside <strong>Ben Bliss</strong> as <strong>Tom Rakewell</strong>, <strong>Iain Paterson</strong> as <strong>Nick Shadow</strong>, and <strong>Jamie Barton</strong> as the bearded lady,<strong> Baba the Turk</strong>.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/artiste/38124-golda-schultz.html"><span style="text-decoration: underline;"><strong>Pour pouvoir assister aux performances de Golda Schultz</strong></span></a></p>
<p style="text-align: right;"><em>Golda Schultz (c) Vittorio Greco</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/golda-schultz-2">Golda Schultz as a Trulove in Paris</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Théâtre des Champs-Élysées &#8211; 2024-2025</title>
		<link>https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 05 Aug 2024 08:00:26 +0000</pubDate>
				<category><![CDATA[Concert]]></category>
		<category><![CDATA[Music & Opera]]></category>
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		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[Adam Laloum]]></category>
		<category><![CDATA[Akram Khan]]></category>
		<category><![CDATA[Alex Rosen]]></category>
		<category><![CDATA[Alexis Kossenko]]></category>
		<category><![CDATA[Anna Netrebko]]></category>
		<category><![CDATA[Anna Pirozzi]]></category>
		<category><![CDATA[Antonello Manacorda]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Benjamin Bernheim]]></category>
		<category><![CDATA[Benjamin Grosvenor]]></category>
		<category><![CDATA[Bruce Liu]]></category>
		<category><![CDATA[Carolyn Carlson]]></category>
		<category><![CDATA[Charles Castronovo]]></category>
		<category><![CDATA[Christophe Rousset]]></category>
		<category><![CDATA[Cyrille Dubois]]></category>
		<category><![CDATA[Daniele Gatti]]></category>
		<category><![CDATA[David Fray]]></category>
		<category><![CDATA[Dmitry Masleev]]></category>
		<category><![CDATA[Edgar Moreau]]></category>
		<category><![CDATA[Elisabeth Leonskaja]]></category>
		<category><![CDATA[Elsa Dreisig]]></category>
		<category><![CDATA[Emily D'Angelo]]></category>
		<category><![CDATA[Emmanuel Pahud]]></category>
		<category><![CDATA[Emmanuelle Haim]]></category>
		<category><![CDATA[Enkhbat Amartuvshin]]></category>
		<category><![CDATA[Ensemble Double Sens]]></category>
		<category><![CDATA[Eve-Maud Hubeaux]]></category>
		<category><![CDATA[Evgeny Kissin]]></category>
		<category><![CDATA[Francesco Corti]]></category>
		<category><![CDATA[Francis Poulenc]]></category>
		<category><![CDATA[Gautier Capuçon]]></category>
		<category><![CDATA[Gidon Kremer]]></category>
		<category><![CDATA[Giovanni Antonini]]></category>
		<category><![CDATA[Golda Schultz]]></category>
		<category><![CDATA[Grigory Sokolov]]></category>
		<category><![CDATA[Jakub Józef Orlinski]]></category>
		<category><![CDATA[Jan Lisiecki]]></category>
		<category><![CDATA[Jonathan Fournel]]></category>
		<category><![CDATA[Joyce DiDonato]]></category>
		<category><![CDATA[Lahav Shani]]></category>
		<category><![CDATA[Lisette Oropesa]]></category>
		<category><![CDATA[Marc Minkowski]]></category>
		<category><![CDATA[Marie-Nicole Lemieux]]></category>
		<category><![CDATA[Marina Viotti]]></category>
		<category><![CDATA[Marlis Petersen]]></category>
		<category><![CDATA[Martha Argerich]]></category>
		<category><![CDATA[Mats Ek]]></category>
		<category><![CDATA[Mélissa Petit]]></category>
		<category><![CDATA[Michael Spyres]]></category>
		<category><![CDATA[Michel Franck]]></category>
		<category><![CDATA[Mikhail Pletnev]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Nahuel di Pierro]]></category>
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		<category><![CDATA[Nelson Goerner]]></category>
		<category><![CDATA[Nemanja Radulovic]]></category>
		<category><![CDATA[Nikolai Lugansky]]></category>
		<category><![CDATA[Olivier Mears]]></category>
		<category><![CDATA[Olivier Py]]></category>
		<category><![CDATA[Patricia Petibon]]></category>
		<category><![CDATA[Philippe Jaroussky]]></category>
		<category><![CDATA[Pierre-Laurent Aimard]]></category>
		<category><![CDATA[Pretty Yende]]></category>
		<category><![CDATA[Riccardo Massi]]></category>
		<category><![CDATA[Rotterdam Philharmonic Orchestra]]></category>
		<category><![CDATA[Sabine Devieilhe]]></category>
		<category><![CDATA[Sandrine Piau]]></category>
		<category><![CDATA[Sharon Eyal]]></category>
		<category><![CDATA[Sol Gabetta]]></category>
		<category><![CDATA[Sophie Pondjiclis]]></category>
		<category><![CDATA[Tabea Zimmermann]]></category>
		<category><![CDATA[Théâtre des Champs-Elysées]]></category>
		<category><![CDATA[Thibault Cauvin]]></category>
		<category><![CDATA[Ton Koopman]]></category>
		<category><![CDATA[Vienna Philharmonic Orchestra]]></category>
		<category><![CDATA[Yannick-Nézet-Séguin]]></category>
		<category><![CDATA[Zubin Mehta]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14545</guid>

					<description><![CDATA[<p>The 2024-2025 season at the Théâtre des Champs-Élysées is special for many reasons. It marks the final season curated by Michel Franck, the vibrant artistic director who has been at the helm since 2010. To celebrate, he has prepared a dazzling lineup that will delight all music lovers. Some events are bound to be highly [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025">Théâtre des Champs-Élysées &#8211; 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The <strong>2024-2025 season</strong> at the <a href="https://actualites.music-opera.com/tag/theatre-des-champs-elysees-en"><span style="text-decoration: underline;"><strong>Théâtre des Champs-Élysées</strong></span></a> is special for many reasons. It marks the final season curated by <strong>Michel Franck,</strong> the vibrant artistic director who has been at the helm since 2010. To celebrate, he has prepared a dazzling lineup that will delight all music lovers. Some events are bound to be highly sought after, so it is particularly important to book tickets in advance this season, especially for the operas.</p>
<p>The <strong>2024-2025 season</strong> at the <a href="https://actualites.music-opera.com/tag/theatre-des-champs-elysees-en"><span style="text-decoration: underline;"><strong>TCE</strong></span></a> encapsulates<strong> Michel Franck</strong>’s artistic choices. He has always been adept at presenting a wide range of repertoires, with perhaps a slight preference for<strong> baroque music</strong>. Opera enthusiasts are especially spoiled this season with offerings like <strong>Handel</strong>&#8216;s magnificent masterpiece, <em>Semele</em>, featuring the beloved soprano <strong>Pretty Yende</strong>. This new production by <strong>Olivier Mears</strong>, directed by <strong>Emmanuelle Haïm</strong>, promises to be a highlight. France’s premier tenor, the dynamic <strong>Benjamin Bernheim</strong>, will perform his first Parisian <em>Werther</em>, staged by<strong> Christof Loy</strong>, alongside the impressive mezzo-soprano <a href="https://actualites.music-opera.com/tag/marina-viotti-en"><span style="text-decoration: underline;"><strong>Marina Viotti</strong></span></a>. <strong>Viotti</strong> also stars in another major production, <em>Der Rosenkavalier</em>, an eagerly anticipated event with <strong>Marlis Petersen</strong> and Regula Mühlemann.</p>
<p>A noteworthy event is the revival of <strong>Poulenc’</strong>s <em>Dialogues des Carmélites</em>, directed by <strong>Olivier Py</strong>. <strong>Patricia Petibon</strong>, who previously moved audiences as <em><strong>Blanche de la Force</strong></em>, now takes on the role of <strong>Mère Marie</strong>, symbolizing the continuity and transmission of operatic history. The season also features acclaimed soprano <strong>Anna Netrebko</strong>, and eagerly anticipated recitals by<strong> Philippe Jaroussky, Pretty Yende, and Jakub Józef Orliński.</strong></p>
<p><strong>Concert versions of operatic works</strong> will undoubtedly generate the most excitement. Highlights include <strong>Julien Chauvin</strong>’s presentation of <strong>Handel</strong>&#8216;s <em>La Resurrezione</em> and <em>Jephtha</em> with an outstanding cast including <strong>Michael Spyres, Joyce DiDonato, Mélissa Petit,</strong> and <strong>Francesco Corti</strong>. A rare performance of <strong>Handel</strong>’s oratorio <em>Deborah</em> will be conducted by <strong>Ton Koopman</strong>.<strong> Mozart</strong>’s works are also prominent, with the<em><strong> Da Ponte trilogy</strong></em> entrusted to <strong>Alexis Kossenko</strong> (<em>Don Giovanni</em>), <strong>Giovanni Antonini</strong> (<em>Le nozze di Figaro</em>), and <strong>Marc Minkowski</strong> (<em>Così fan tutte</em>). Another beautiful <strong>Mozart</strong> opera in concert form, <em>Mitridate, re di Ponto</em>, will be conducted by <strong>Christophe Rousset</strong>. Notable performances include a <em>Requiem</em> featuring<strong> Lisette Oropesa, Eve-Maud Hubeaux, Cyrille Dubois</strong>, and <strong>Nahuel di Pierro.</strong></p>
<p>Among the season’s highlights are <strong>Weber</strong>&#8216;s romantic opera <em>Freischütz</em>, conducted by <strong>Antonello Manacorda</strong> with <strong>Charles Castronovo</strong> and <strong>Golda Schultz</strong>, and <strong>Rossini</strong>&#8216;s<em> Le Comte Ory</em> with <strong>Cyrille Dubois</strong>.<strong> Elsa Dreisig</strong> will star as a divine <em>Alcina</em> in<strong> Handel</strong>’s opera, alongside <strong>Emily D’Angelo, Sandrine Piau</strong>, and<strong> Alex Rosen</strong>. <em>Andrea Chénier</em> by <strong>Giordano</strong> will feature the stellar voices of <strong>Riccardo Massi, Anna Pirozzi, Enkhbat Amartuvshin</strong>, and<strong> Sophie Pondjiclis</strong>. Audiences can also look forward to <strong>Marie-Nicole Lemieux</strong> in <strong>Rossini</strong>&#8216;s <em>L’Italiana in Algeri</em> and <a href="https://actualites.music-opera.com/tag/sabine-devieilhe-en"><span style="text-decoration: underline;"><strong>Sabine Devieilhe</strong></span></a> in both <strong>Mozart</strong> and <strong>Boulez</strong>, celebrating his centennial.</p>
<p>The dance segment is equally unmissable, with performances by prominent choreographers such as<strong> Akram Khan, Carolyn Carlson, Mats Ek,</strong> and <strong>Sharon Eyal</strong>, along with an emotional holiday appearance by the<strong> National Opera Ballet of Ukraine</strong>. The season will be filled with major concerts and events. <strong>Martha Argerich</strong> opens the season with <strong>Lahav Shani</strong> and the <strong>Rotterdam Philharmonic Orchestra</strong>. Renowned pianists like <strong>Elisabeth Leonskaja, Evgeny Kissin, Grigory Sokolov, Mikhail Pletnev, Pierre-Laurent Aimard, Nikolai Lugansky, Nelson Goerner, David Fray, Adam Laloum, Benjamin Grosvenor,</strong> and a new generation of stars including<strong> Jonathan Fournel, Bruce Liu, Dmitry Masleev, Jan Lisiecki</strong>, and the <strong>Jussen brothers</strong> will grace the stage. Other notable soloists include<strong> Gidon Kremer, Tabea Zimmermann, Thibault Cauvin</strong> with the pop artist and guitarist <strong>-M-, Sol Gabetta, Gautier Capuçon, Emmanuel Pahud, Nemanja Radulovic</strong> with his<strong> Ensemble Double Sens</strong>, and<strong> Edgar Moreau</strong> performing <strong>Bach</strong>. The loyalty of great conductors like <strong>Zubin Mehta, Daniele Gatti, Yannick Nézet-Séguin,</strong> and the <strong>Vienna Philharmonic Orchestra</strong> underscores the exceptional nature of the <strong>2024-2025 season</strong>, making it a must-see. <strong>Reservations are now open for all the events of this extraordinary season!</strong></p>
<p><a href="https://www.music-opera.com/en/venues/paris-theatre-des-champs-elysees.html"><span style="text-decoration: underline;"><strong>Get your tickets now for the new 2024-2025 season at the Théâtre des Champs-Elysées</strong></span></a></p>
<p style="text-align: right;"><em>© Hartl Meyer</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025">Théâtre des Champs-Élysées &#8211; 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Henry VIII of Brussels</title>
		<link>https://actualites.music-opera.com/en/henry-viii-of-brussels</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Thu, 13 Apr 2023 14:44:54 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alain Altinoglu]]></category>
		<category><![CDATA[La Monnaie in Brussels]]></category>
		<category><![CDATA[Olivier Py]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=12439</guid>

					<description><![CDATA[<p>The Saint-Saëns centenary of 2021 continues to bear fruit. Postponed due to the pandemic, La Monnaie in Brussels is offering a new production of a rare gem with Henry VIII. The opera is one of its many little-known masterpieces and will benefit from the musical direction of Alain Altinoglu and the staging of Olivier Py [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/henry-viii-of-brussels">Henry VIII of Brussels</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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										<content:encoded><![CDATA[<p>The <strong>Saint-Saëns centenary</strong> of 2021 continues to bear fruit. Postponed due to the pandemic, <strong>La Monnaie in Brussels</strong> is offering a new production of a rare gem with <strong>Henry VIII</strong>. The opera is one of its many little-known masterpieces and will benefit from the musical direction of <strong>Alain Altinoglu</strong> and the staging of <strong>Olivier Py</strong> with the excellent <strong>Lionel Lhote</strong> in the role of King Henry VIII. The performances will take place from <strong>11 to 27 May 2023</strong>.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/la-monnaie-belgique-bruxelles/henry-viii-saint-saens-1225479.html"><span style="text-decoration: underline;"><strong>Find your tickets here</strong></span></a></p>
<p>&nbsp;</p>
<p style="text-align: right;"><em>Olivier Py © Christophe Raynaud de Lage &#8211; Festival d&#8217;Avignon</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/henry-viii-of-brussels">Henry VIII of Brussels</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Monnaie-De Munt 2017-2018 Season</title>
		<link>https://actualites.music-opera.com/en/monnaie-de-munt-2017-2018-season</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Fri, 08 Jun 2018 14:16:33 +0000</pubDate>
				<category><![CDATA[Past Seasons]]></category>
		<category><![CDATA[Brussels Opera House]]></category>
		<category><![CDATA[Natalie Dessay]]></category>
		<category><![CDATA[Olivier Py]]></category>
		<category><![CDATA[Théâtre des Champs-Elysées]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=5388</guid>

					<description><![CDATA[<p>Finally! La Monnaie-De Munt, the famous Brussels Opera House is finally returned to its audience. After several months of renovation, music lovers around the world are happy to come back to a hall that is dear to them. La Monnaie is a haven for voices and opera productions are always on the menu thanks to [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/monnaie-de-munt-2017-2018-season">Monnaie-De Munt 2017-2018 Season</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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										<content:encoded><![CDATA[<p>Finally! La Monnaie-De Munt, the famous <strong>Brussels Opera House</strong> is finally returned to its audience. After several months of renovation, music lovers around the world are happy to come back to a hall that is dear to them. La Monnaie is a haven for voices and opera productions are always on the menu thanks to the intelligence and relevance of its programming. Just consider the opera that opens this season 2017-2018. Pinocchio is a new piece by Philippe Boesman, probably the most popular of today&#8217;s composers. When the Brussels Opera has the excellent idea to propose music of today, it makes sure to offer the best. Stéphane Degout in Pinocchio or Georg Nigl in Il Prigioniero also on the program are two of today&#8217;s greatest baritones, very comfortable in all repertoires. The staging of a new production of Dallapiccola&#8217;s opera, together with Das Gehege de Rihm, is by Andrea Breth, a German stage director familiar with Rihm&#8217;s work. The Lucio Silla equally arouses a lot of interest because the work of the divine Mozart is not often displayed, unlike the trilogy Da Ponte. Here again, all means are gathered for a great success. With Antonello Manacorda in the lead, among the great artists on stage in this production of Tobias Kratzer (a director to follow) we cheerfully find Lenneke Ruiten, Anna Bonitatibus or Jeremy Ovenden.</p>
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<p>Another reprise and a marvelous one! Poulenc&#8217;s Carmelite Dialogues which delighted the public at the <strong>Théâtre des Champs-Elysées</strong> is back on the program. The staging of <strong>Olivier Py</strong> is a masterpiece of intelligence and incredible drama and offers us an unforgettable moment at the theater. The first distribution is quite similar to the one, already perfect, of Paris (Patricia Petibon, Véronique Gens, Sophie Koch, Sandrine Piau, Stanislas de Barbeyrac). A second cast is equally thrilling with Anne-Catherine Gillet, Marie-Adeline Henry and Karine Deshayes and the sophisticated presence of the great conductor Alain Altinoglu. The new music director of the Belgian institution is also leading the other major event of the 2017-2018 season. You must quickly reserve your seats to attend the Lohengrin by Wagner. Postponed to this season, this production is also delivered by Olivier Py. The stage director who flies from success to success never leaves one indifferent. Two distributions are expected with Eric Cutler or Joseph Kaiser, Ingela Brimberg or Meagan Miller &#8230; Alain Altinoglu shares the poster with a beautiful artist he knows well. In one of her best roles, Nora Gubisch plays Judith of Bartók&#8217;s Bluebeard&#8217;s Castle with the phenomenal Ante Jerkunica as Duke. Great artists are also on display at Cavalleria Rusticana &amp; Pagliacci such as Eva-Maria Westbroek, Alex Penda and Evelino Pidò.</p>
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<p>Of course, we should also mention dance and the choreographers attached to the theater: Anne Teresa De Keersmaeker, Sasha Waltz, Alain Platel &#8230; but also the many concerts such as the recital of<strong> Natalie Dessay </strong>and <strong>Philippe Cassard</strong>, those of Anna Bonitatibus, Pavol Breslik or Simon Keenlyside. Other events take place at the Palais des Beaux-Arts &#8230; the season is so rich and so prestigious that you should book your tickets at La Monnaie-De Munt without delay!</p>
<p>The post <a href="https://actualites.music-opera.com/en/monnaie-de-munt-2017-2018-season">Monnaie-De Munt 2017-2018 Season</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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