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	<title>Opera | News Music &amp; Opera</title>
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		<title>Mozart and Camille Delaforge Take Command at Versailles</title>
		<link>https://actualites.music-opera.com/en/mozart-and-camille-delaforge-take-command-at-versailles</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Fri, 04 Oct 2024 08:00:45 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Camille Delaforge]]></category>
		<category><![CDATA[Chapelle]]></category>
		<category><![CDATA[Chapelle Royale of Versailles]]></category>
		<category><![CDATA[CVS Label]]></category>
		<category><![CDATA[Die Schuldigkeit des ersten Gebots]]></category>
		<category><![CDATA[Il Caravaggio]]></category>
		<category><![CDATA[label]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Versailles]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15175</guid>

					<description><![CDATA[<p>On November 16, 2024, the Chapelle Royale of Versailles will host the dynamic ensemble Il Caravaggio and its conductor Camille Delaforge, as they explore the origins of Mozart. The work on the program, Die Schuldigkeit des ersten Gebots (The Obligation of the First Commandment), is in fact Mozart&#8217;s first sacred opera. Rarely performed, this early [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/mozart-and-camille-delaforge-take-command-at-versailles">Mozart and Camille Delaforge Take Command at Versailles</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>On<strong> November 16, 2024</strong>, the <strong>Chapelle Royale of Versailles</strong> will host the dynamic ensemble <strong>Il Caravaggio</strong> and its conductor <strong>Camille Delaforge</strong>, as they explore the origins of <strong>Mozart</strong>. <strong>The work on the program, <em>Die Schuldigkeit des ersten Gebots </em></strong>(<strong>The Obligation of the First Commandment</strong>), is in fact <strong>Mozart&#8217;s</strong> first sacred opera. Rarely performed, this early operatic attempt by the divine genius at the age of 11 already showcases a mastery of orchestral writing and vocal composition. It has been recorded and will be released on <strong>November 15, 2024</strong>, under the <strong>CVS Label</strong>.<br />
&nbsp;<br />
<a href="https://www.music-opera.com/en/chapelle-royale-france-versailles/die-schuldigkeit-des-ersten-gebots-mozart-1934383.html" target="_blank" rel="noopener"><span style="text-decoration: underline;"><strong>Discover <em>Die Schuldigkeit des ersten Gebots</em> at the Chapelle Royale de Versailles</strong></span></a><br />
&nbsp;</p>
<p style="text-align: right;"><em>Camille Delaforge © Pascal Le Mee</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/mozart-and-camille-delaforge-take-command-at-versailles">Mozart and Camille Delaforge Take Command at Versailles</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>The Moor of Venice in Venice!</title>
		<link>https://actualites.music-opera.com/en/the-moor-of-venice-in-venice</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Thu, 03 Oct 2024 08:00:32 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Francesco Meli]]></category>
		<category><![CDATA[Giuseppe Verdi]]></category>
		<category><![CDATA[La Fenice]]></category>
		<category><![CDATA[Myung-Whun Chung]]></category>
		<category><![CDATA[Otello]]></category>
		<category><![CDATA[Verdi]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15157</guid>

					<description><![CDATA[<p>Otello, one of Giuseppe Verdi&#8216;s ultimate masterpiece and an opera of his later years, is back on stage at Venice&#8217;s Teatro La Fenice, which is pulling out all the stops to welcome its Shakespearean hero. The Moor of Venice will be performed from November 20 to December 1, 2024, by the incandescent tenor Francesco Meli, [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/the-moor-of-venice-in-venice">The Moor of Venice in Venice!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong><em>Otello</em></strong>, one of <strong>Giuseppe Verdi</strong>&#8216;s ultimate masterpiece and an opera of his later years, is back on stage at <strong>Venice&#8217;s Teatro La Fenice</strong>, which is pulling out all the stops to welcome its Shakespearean hero. <strong>The Moor of Venice</strong> will be performed from <strong>November 20 to December 1, 2024</strong>, by the incandescent tenor <strong>Francesco Meli</strong>, under the highly anticipated direction of <strong>Myung-Whun Chung</strong>. This production, which opens the season, continues the tradition of <strong>Verdi</strong> works conducted by the maestro that have launched the past seasons at <strong>La Fenice</strong>.</p>
<p><a href="https://www.music-opera.com/en/teatro-la-fenice-italie-venezia/otello-verdi-2015374.html"><span style="text-decoration: underline;"><strong>Discover Otello at the Teatro La Fenice</strong></span></a></p>
<p style="text-align: right;"><em>Otello © La Fenice website</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/the-moor-of-venice-in-venice">The Moor of Venice in Venice!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Marianne Crebassa&#8217;s Defining Role at the Comique</title>
		<link>https://actualites.music-opera.com/en/marianne-crebassas</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 02 Oct 2024 08:00:15 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
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		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Aix Festival]]></category>
		<category><![CDATA[Daniel Jeanneteau]]></category>
		<category><![CDATA[George Benjamin]]></category>
		<category><![CDATA[Marianne Crebassa]]></category>
		<category><![CDATA[Marie-Christine Soma]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Picture a day like this]]></category>
		<category><![CDATA[Written on Skin]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15143</guid>

					<description><![CDATA[<p>She made a sensation at the 2023 Aix Festival (once again!), Marianne Crebassa is returning to the defining role in Picture a Day Like This, in Paris from October 25 to 31, 2024. George Benjamin&#8216;s opera is being revived at the Opéra-Comique after the critical success it garnered during its Aix premiere. In this new [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/marianne-crebassas">Marianne Crebassa&#8217;s Defining Role at the Comique</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>She made a sensation at the <strong>2023 Aix Festival</strong> (once again!),<strong> Marianne Crebassa</strong> is returning to the defining role in <strong><em>Picture a Day Like This</em></strong>, in <strong>Paris</strong> from <strong>October 25 to 31, 2024</strong>. <strong>George Benjamin</strong>&#8216;s opera is being revived at the <strong>Opéra-Comique</strong> after the critical success it garnered during its <strong>Aix</strong> premiere. In this new work by the composer of the masterpiece <strong><em>Written on Skin</em></strong>, she portrays a woman searching for a miracle following a tragic event—the death of her infant. The power of her performance and the poetic direction by <strong>Marie-Christine Soma</strong> and <strong>Daniel Jeanneteau</strong> make it one of the must-see events of the season!</p>
<p><a href="https://www.music-opera.com/en/theatre-du-jeu-de-paume/picture-a-day-like-this-wp-benjamin-1840249.html"><span style="text-decoration: underline;"><strong>Discover Marianne Crebassa in Picture a day like this</strong></span></a></p>
<p style="text-align: right;"><em>Marianne Crebassa © Simon Fowler</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/marianne-crebassas">Marianne Crebassa&#8217;s Defining Role at the Comique</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>La Scala in Milan improves its welcome for foreign visitors</title>
		<link>https://actualites.music-opera.com/en/la-scala-in-milan-improves-its-welcome-for-foreign-visitors</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Fri, 27 Sep 2024 08:00:29 +0000</pubDate>
				<category><![CDATA[Concert]]></category>
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		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Milano]]></category>
		<category><![CDATA[Teatro alla Scala]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15076</guid>

					<description><![CDATA[<p>The next spectators seated in one of the chairs at La Scala in Milan, the temple of opera, will undoubtedly notice a significant change. The seatbacks have been upgraded to provide subtitles, no longer in just two languages but now in five! Italian, English, French, German, and Spanish are now available, allowing music lovers to [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/la-scala-in-milan-improves-its-welcome-for-foreign-visitors">La Scala in Milan improves its welcome for foreign visitors</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="ewa-rteLine">The next spectators seated in one of the chairs at <strong>La Scala</strong> in <strong>Milan</strong>, the temple of opera, will undoubtedly notice a significant change. The seatbacks have been upgraded to provide subtitles, no longer in just two languages but now in<strong> five</strong>! <strong>Italian, English, French, German, and Spanish</strong> are now available, allowing music lovers to follow the storyline. For better comfort, the new system includes<strong> 1,944 tablets</strong> (<strong>680</strong> in the main hall, <strong>784</strong> in the boxes, <strong>480</strong> in the galleries, plus <strong>6</strong> monitors for the standing places in the second gallery). The<strong> 8-inch touchscreen</strong> will have a black background and will be equipped with a special filter allowing frontal viewing without disturbing neighboring spectators.</div>
<p>&nbsp;</p>
<div><a href="https://www.music-opera.com/en/salle/milano-teatro-alla-scala.html"><span style="text-decoration: underline;"><strong>Discover all upcoming performances at La Scala in Milan</strong></span></a></div>
<p>&nbsp;</p>
<div style="text-align: right;"><em>© Giovanni Hänninen</em></div>
<p>The post <a href="https://actualites.music-opera.com/en/la-scala-in-milan-improves-its-welcome-for-foreign-visitors">La Scala in Milan improves its welcome for foreign visitors</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Théâtre des Champs-Élysées &#8211; 2024-2025</title>
		<link>https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 05 Aug 2024 08:00:26 +0000</pubDate>
				<category><![CDATA[Concert]]></category>
		<category><![CDATA[Music & Opera]]></category>
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		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[Adam Laloum]]></category>
		<category><![CDATA[Akram Khan]]></category>
		<category><![CDATA[Alex Rosen]]></category>
		<category><![CDATA[Alexis Kossenko]]></category>
		<category><![CDATA[Anna Netrebko]]></category>
		<category><![CDATA[Anna Pirozzi]]></category>
		<category><![CDATA[Antonello Manacorda]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Benjamin Bernheim]]></category>
		<category><![CDATA[Benjamin Grosvenor]]></category>
		<category><![CDATA[Bruce Liu]]></category>
		<category><![CDATA[Carolyn Carlson]]></category>
		<category><![CDATA[Charles Castronovo]]></category>
		<category><![CDATA[Christophe Rousset]]></category>
		<category><![CDATA[Cyrille Dubois]]></category>
		<category><![CDATA[Daniele Gatti]]></category>
		<category><![CDATA[David Fray]]></category>
		<category><![CDATA[Dmitry Masleev]]></category>
		<category><![CDATA[Edgar Moreau]]></category>
		<category><![CDATA[Elisabeth Leonskaja]]></category>
		<category><![CDATA[Elsa Dreisig]]></category>
		<category><![CDATA[Emily D'Angelo]]></category>
		<category><![CDATA[Emmanuel Pahud]]></category>
		<category><![CDATA[Emmanuelle Haim]]></category>
		<category><![CDATA[Enkhbat Amartuvshin]]></category>
		<category><![CDATA[Ensemble Double Sens]]></category>
		<category><![CDATA[Eve-Maud Hubeaux]]></category>
		<category><![CDATA[Evgeny Kissin]]></category>
		<category><![CDATA[Francesco Corti]]></category>
		<category><![CDATA[Francis Poulenc]]></category>
		<category><![CDATA[Gautier Capuçon]]></category>
		<category><![CDATA[Gidon Kremer]]></category>
		<category><![CDATA[Giovanni Antonini]]></category>
		<category><![CDATA[Golda Schultz]]></category>
		<category><![CDATA[Grigory Sokolov]]></category>
		<category><![CDATA[Jakub Józef Orlinski]]></category>
		<category><![CDATA[Jan Lisiecki]]></category>
		<category><![CDATA[Jonathan Fournel]]></category>
		<category><![CDATA[Joyce DiDonato]]></category>
		<category><![CDATA[Lahav Shani]]></category>
		<category><![CDATA[Lisette Oropesa]]></category>
		<category><![CDATA[Marc Minkowski]]></category>
		<category><![CDATA[Marie-Nicole Lemieux]]></category>
		<category><![CDATA[Marina Viotti]]></category>
		<category><![CDATA[Marlis Petersen]]></category>
		<category><![CDATA[Martha Argerich]]></category>
		<category><![CDATA[Mats Ek]]></category>
		<category><![CDATA[Mélissa Petit]]></category>
		<category><![CDATA[Michael Spyres]]></category>
		<category><![CDATA[Michel Franck]]></category>
		<category><![CDATA[Mikhail Pletnev]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Nahuel di Pierro]]></category>
		<category><![CDATA[National Opera Ballet of Ukraine]]></category>
		<category><![CDATA[National Opera of Ukraine]]></category>
		<category><![CDATA[Nelson Goerner]]></category>
		<category><![CDATA[Nemanja Radulovic]]></category>
		<category><![CDATA[Nikolai Lugansky]]></category>
		<category><![CDATA[Olivier Mears]]></category>
		<category><![CDATA[Olivier Py]]></category>
		<category><![CDATA[Patricia Petibon]]></category>
		<category><![CDATA[Philippe Jaroussky]]></category>
		<category><![CDATA[Pierre-Laurent Aimard]]></category>
		<category><![CDATA[Pretty Yende]]></category>
		<category><![CDATA[Riccardo Massi]]></category>
		<category><![CDATA[Rotterdam Philharmonic Orchestra]]></category>
		<category><![CDATA[Sabine Devieilhe]]></category>
		<category><![CDATA[Sandrine Piau]]></category>
		<category><![CDATA[Sharon Eyal]]></category>
		<category><![CDATA[Sol Gabetta]]></category>
		<category><![CDATA[Sophie Pondjiclis]]></category>
		<category><![CDATA[Tabea Zimmermann]]></category>
		<category><![CDATA[Théâtre des Champs-Elysées]]></category>
		<category><![CDATA[Thibault Cauvin]]></category>
		<category><![CDATA[Ton Koopman]]></category>
		<category><![CDATA[Vienna Philharmonic Orchestra]]></category>
		<category><![CDATA[Yannick-Nézet-Séguin]]></category>
		<category><![CDATA[Zubin Mehta]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=14545</guid>

					<description><![CDATA[<p>The 2024-2025 season at the Théâtre des Champs-Élysées is special for many reasons. It marks the final season curated by Michel Franck, the vibrant artistic director who has been at the helm since 2010. To celebrate, he has prepared a dazzling lineup that will delight all music lovers. Some events are bound to be highly [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025">Théâtre des Champs-Élysées &#8211; 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The <strong>2024-2025 season</strong> at the <a href="https://actualites.music-opera.com/tag/theatre-des-champs-elysees-en"><span style="text-decoration: underline;"><strong>Théâtre des Champs-Élysées</strong></span></a> is special for many reasons. It marks the final season curated by <strong>Michel Franck,</strong> the vibrant artistic director who has been at the helm since 2010. To celebrate, he has prepared a dazzling lineup that will delight all music lovers. Some events are bound to be highly sought after, so it is particularly important to book tickets in advance this season, especially for the operas.</p>
<p>The <strong>2024-2025 season</strong> at the <a href="https://actualites.music-opera.com/tag/theatre-des-champs-elysees-en"><span style="text-decoration: underline;"><strong>TCE</strong></span></a> encapsulates<strong> Michel Franck</strong>’s artistic choices. He has always been adept at presenting a wide range of repertoires, with perhaps a slight preference for<strong> baroque music</strong>. Opera enthusiasts are especially spoiled this season with offerings like <strong>Handel</strong>&#8216;s magnificent masterpiece, <em>Semele</em>, featuring the beloved soprano <strong>Pretty Yende</strong>. This new production by <strong>Olivier Mears</strong>, directed by <strong>Emmanuelle Haïm</strong>, promises to be a highlight. France’s premier tenor, the dynamic <strong>Benjamin Bernheim</strong>, will perform his first Parisian <em>Werther</em>, staged by<strong> Christof Loy</strong>, alongside the impressive mezzo-soprano <a href="https://actualites.music-opera.com/tag/marina-viotti-en"><span style="text-decoration: underline;"><strong>Marina Viotti</strong></span></a>. <strong>Viotti</strong> also stars in another major production, <em>Der Rosenkavalier</em>, an eagerly anticipated event with <strong>Marlis Petersen</strong> and Regula Mühlemann.</p>
<p>A noteworthy event is the revival of <strong>Poulenc’</strong>s <em>Dialogues des Carmélites</em>, directed by <strong>Olivier Py</strong>. <strong>Patricia Petibon</strong>, who previously moved audiences as <em><strong>Blanche de la Force</strong></em>, now takes on the role of <strong>Mère Marie</strong>, symbolizing the continuity and transmission of operatic history. The season also features acclaimed soprano <strong>Anna Netrebko</strong>, and eagerly anticipated recitals by<strong> Philippe Jaroussky, Pretty Yende, and Jakub Józef Orliński.</strong></p>
<p><strong>Concert versions of operatic works</strong> will undoubtedly generate the most excitement. Highlights include <strong>Julien Chauvin</strong>’s presentation of <strong>Handel</strong>&#8216;s <em>La Resurrezione</em> and <em>Jephtha</em> with an outstanding cast including <strong>Michael Spyres, Joyce DiDonato, Mélissa Petit,</strong> and <strong>Francesco Corti</strong>. A rare performance of <strong>Handel</strong>’s oratorio <em>Deborah</em> will be conducted by <strong>Ton Koopman</strong>.<strong> Mozart</strong>’s works are also prominent, with the<em><strong> Da Ponte trilogy</strong></em> entrusted to <strong>Alexis Kossenko</strong> (<em>Don Giovanni</em>), <strong>Giovanni Antonini</strong> (<em>Le nozze di Figaro</em>), and <strong>Marc Minkowski</strong> (<em>Così fan tutte</em>). Another beautiful <strong>Mozart</strong> opera in concert form, <em>Mitridate, re di Ponto</em>, will be conducted by <strong>Christophe Rousset</strong>. Notable performances include a <em>Requiem</em> featuring<strong> Lisette Oropesa, Eve-Maud Hubeaux, Cyrille Dubois</strong>, and <strong>Nahuel di Pierro.</strong></p>
<p>Among the season’s highlights are <strong>Weber</strong>&#8216;s romantic opera <em>Freischütz</em>, conducted by <strong>Antonello Manacorda</strong> with <strong>Charles Castronovo</strong> and <strong>Golda Schultz</strong>, and <strong>Rossini</strong>&#8216;s<em> Le Comte Ory</em> with <strong>Cyrille Dubois</strong>.<strong> Elsa Dreisig</strong> will star as a divine <em>Alcina</em> in<strong> Handel</strong>’s opera, alongside <strong>Emily D’Angelo, Sandrine Piau</strong>, and<strong> Alex Rosen</strong>. <em>Andrea Chénier</em> by <strong>Giordano</strong> will feature the stellar voices of <strong>Riccardo Massi, Anna Pirozzi, Enkhbat Amartuvshin</strong>, and<strong> Sophie Pondjiclis</strong>. Audiences can also look forward to <strong>Marie-Nicole Lemieux</strong> in <strong>Rossini</strong>&#8216;s <em>L’Italiana in Algeri</em> and <a href="https://actualites.music-opera.com/tag/sabine-devieilhe-en"><span style="text-decoration: underline;"><strong>Sabine Devieilhe</strong></span></a> in both <strong>Mozart</strong> and <strong>Boulez</strong>, celebrating his centennial.</p>
<p>The dance segment is equally unmissable, with performances by prominent choreographers such as<strong> Akram Khan, Carolyn Carlson, Mats Ek,</strong> and <strong>Sharon Eyal</strong>, along with an emotional holiday appearance by the<strong> National Opera Ballet of Ukraine</strong>. The season will be filled with major concerts and events. <strong>Martha Argerich</strong> opens the season with <strong>Lahav Shani</strong> and the <strong>Rotterdam Philharmonic Orchestra</strong>. Renowned pianists like <strong>Elisabeth Leonskaja, Evgeny Kissin, Grigory Sokolov, Mikhail Pletnev, Pierre-Laurent Aimard, Nikolai Lugansky, Nelson Goerner, David Fray, Adam Laloum, Benjamin Grosvenor,</strong> and a new generation of stars including<strong> Jonathan Fournel, Bruce Liu, Dmitry Masleev, Jan Lisiecki</strong>, and the <strong>Jussen brothers</strong> will grace the stage. Other notable soloists include<strong> Gidon Kremer, Tabea Zimmermann, Thibault Cauvin</strong> with the pop artist and guitarist <strong>-M-, Sol Gabetta, Gautier Capuçon, Emmanuel Pahud, Nemanja Radulovic</strong> with his<strong> Ensemble Double Sens</strong>, and<strong> Edgar Moreau</strong> performing <strong>Bach</strong>. The loyalty of great conductors like <strong>Zubin Mehta, Daniele Gatti, Yannick Nézet-Séguin,</strong> and the <strong>Vienna Philharmonic Orchestra</strong> underscores the exceptional nature of the <strong>2024-2025 season</strong>, making it a must-see. <strong>Reservations are now open for all the events of this extraordinary season!</strong></p>
<p><a href="https://www.music-opera.com/en/venues/paris-theatre-des-champs-elysees.html"><span style="text-decoration: underline;"><strong>Get your tickets now for the new 2024-2025 season at the Théâtre des Champs-Elysées</strong></span></a></p>
<p style="text-align: right;"><em>© Hartl Meyer</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/theatre-des-champs-elysees-2024-2025">Théâtre des Champs-Élysées &#8211; 2024-2025</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>It&#8217;s party time at La Monnaie de Paris</title>
		<link>https://actualites.music-opera.com/en/its-party-time-at-la-monnaie-de-paris</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Fri, 24 Nov 2023 09:00:53 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Armelle Khourdoian]]></category>
		<category><![CDATA[Christophe de Solages]]></category>
		<category><![CDATA[Katia Weimann]]></category>
		<category><![CDATA[La Boheme]]></category>
		<category><![CDATA[La Traviata]]></category>
		<category><![CDATA[Marc Souchet]]></category>
		<category><![CDATA[Monnaie de Paris]]></category>
		<category><![CDATA[Opera a Palazzo]]></category>
		<category><![CDATA[Verdi]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=13447</guid>

					<description><![CDATA[<p>Since taking over the venue, the Opera a Palazzo troupe is planning two evenings of celebration, on 30 and 31 December 2023, in the enchanting setting of the Hôtel de la Monnaie in Paris. A performance of Verdi&#8217;s La Traviata on the 30th (as well as on 15 and 29 December) will be followed by [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/its-party-time-at-la-monnaie-de-paris">It&#8217;s party time at La Monnaie de Paris</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Since taking over the venue, the <strong>Opera a Palazzo</strong> troupe is planning two evenings of celebration, on<strong> 30 and 31 December 2023</strong>, in the enchanting setting of the <strong>Hôtel de la Monnaie in Paris</strong>. A performance of <strong>Verdi&#8217;s La Traviata</strong> on the <strong>30th</strong> (as well as on<strong> 15 and 29 December</strong>) will be followed by an evening of lyrical New Year&#8217;s Eve entertainment by<strong> Armelle Khourdoian</strong>, <strong>Christophe Poncet de Solages</strong> and<strong> Marc Souchet</strong> (accompanied by the divine<strong> Katia Weimann</strong>), who will be singing the great arias of <strong>La Bohème</strong> and operetta arias by<strong> Offenbach</strong>, <strong>Lehàr</strong> or <strong>Strauss</strong>, complete with champagne and caviar! Let’s party!</p>
<p><a href="https://www.music-opera.com/en/venues/paris-hotel-de-la-monnaie.html"><span style="text-decoration: underline;"><strong>Discover the Opera a Palazzo troupe at the Hôtel de la Monnaie de Paris</strong></span></a></p>
<p style="text-align: right;"><em>Opera a Palazzo © Corentin LV</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/its-party-time-at-la-monnaie-de-paris">It&#8217;s party time at La Monnaie de Paris</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Thomas Jolly cœur de Comique</title>
		<link>https://actualites.music-opera.com/en/thomas-jolly-coeur-de-comique-2</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Tue, 14 Nov 2023 09:07:13 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Fantasio]]></category>
		<category><![CDATA[Macbeth Underworld]]></category>
		<category><![CDATA[Offenbach]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[Pascal Dusapin]]></category>
		<category><![CDATA[Théâtre du Châtelet]]></category>
		<category><![CDATA[Thomas Jolly]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=13329</guid>

					<description><![CDATA[<p>While performances of Pascal Dusapin&#8217;s Macbeth Underworld have just ended at the Opéra Comique, its director Thomas Jolly is not leaving the Salle Favart, as the production of Offenbach&#8217;s Fantasio will be revived from 13 to 23 December 2023. Premiered in 2017 at the Théâtre du Châtelet during the renovation of the Opéra-Comique, this production [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/thomas-jolly-coeur-de-comique-2">Thomas Jolly cœur de Comique</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>While performances of <strong>Pascal Dusapin&#8217;s Macbeth Underworld</strong> have just ended at the <strong>Opéra Comique</strong>, its director<strong> Thomas Jolly</strong> is not leaving the <strong>Salle Favart</strong>, as the production of <strong>Offenbach&#8217;s Fantasio</strong> will be revived from<strong> 13 to 23 December 2023</strong>. Premiered in 2017 at the <strong>Théâtre du Châtelet</strong> during the renovation of the <strong>Opéra-Comique</strong>, this production marked his very first operatic engagement. The show returns to the venue that inspired it, starring the superb <strong>Gaëlle Arquez</strong> as <strong>Fantasio</strong> and the no less exceptional <strong>Jodie Devos as Princess Elsbeth</strong>.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/opera-comique/fantasio-offenbach-1541163.html"><span style="text-decoration: underline;"><strong>Discover Fantasio&#8217;s performances at the Opéra-Comique in Paris</strong></span></a></p>
<p style="text-align: right;"><em>Fantasio, 2017 © Pierre Grosbois</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/thomas-jolly-coeur-de-comique-2">Thomas Jolly cœur de Comique</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Anne-Sophie Mutter, this isn&#8217;t a movie !</title>
		<link>https://actualites.music-opera.com/en/anne-sophie-mutter-this-isnt-a-movie</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Thu, 02 Nov 2023 09:00:40 +0000</pubDate>
				<category><![CDATA[Concert]]></category>
		<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Concerto]]></category>
		<category><![CDATA[John Williams]]></category>
		<category><![CDATA[Opera]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=13240</guid>

					<description><![CDATA[<p>As she prepares to perform in Sydney in the concert hall of Jørn Utzon&#8217;s famous Opera House on 9-11 November 2023, legendary violinist Anne-Sophie Mutter has chosen music by John Williams. The immortal composer of music for Star Wars, Jaws and Shindler&#8217;s List has specially written a concerto for the exceptional artist who commissioned it. [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/anne-sophie-mutter-this-isnt-a-movie">Anne-Sophie Mutter, this isn&#8217;t a movie !</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>As she prepares to perform in Sydney in the concert hall of<strong> Jørn Utzon&#8217;s famous Opera House</strong> on <strong>9-11 November 2023</strong>, legendary violinist <strong>Anne-Sophie Mutter</strong> has chosen music by<strong> John Williams</strong>. The immortal composer of music for <strong>Star Wars</strong>, <strong>Jaws and Shindler&#8217;s List</strong> has specially written a concerto for the exceptional artist who commissioned it. After Sydney and New Zealand, Mutter is due to perform<strong> Williams&#8217; Violin Concerto No. 2</strong> in Leipzig, London and the rest of Europe in June 2024.</p>
<p><a href="https://www.music-opera.com/en/artistes/20336-anne-sophie-mutter.html"><span style="text-decoration: underline;"><strong>Find all the performances of Anne-Sophie Mutter</strong></span></a></p>
<p>&nbsp;</p>
<p style="text-align: right;"><em>Anne-Sophie Mutter © Harald Hoffmann</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/anne-sophie-mutter-this-isnt-a-movie">Anne-Sophie Mutter, this isn&#8217;t a movie !</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>25 October, an ordinary day for M&#038;O</title>
		<link>https://actualites.music-opera.com/en/25-october-an-ordinary-day-for-mo</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 25 Oct 2023 13:05:37 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[world opera day]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=13216</guid>

					<description><![CDATA[<p>Today, 25 October 2023 is World Opera Day. It&#8217;s a special day for the opera world and for Music &#38; Opera, even if, happily, it&#8217;s Opera Day for all music lovers! &#160; Find all the operas of the 2023/2024 season &#160; &#160;</p>
<p>The post <a href="https://actualites.music-opera.com/en/25-october-an-ordinary-day-for-mo">25 October, an ordinary day for M&#038;O</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Today, 25 October 2023 is <strong>World Opera Day</strong>. It&#8217;s a special day for the opera world and for <strong>Music &amp; Opera</strong>, even if, happily, it&#8217;s Opera Day for all music lovers!</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/event/opera"><span style="text-decoration: underline;"><strong>Find all the operas of the 2023/2024 season</strong></span></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The post <a href="https://actualites.music-opera.com/en/25-october-an-ordinary-day-for-mo">25 October, an ordinary day for M&#038;O</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Wagner at the end and beginning of a cycle</title>
		<link>https://actualites.music-opera.com/en/wagner-at-the-end-and-beginning-of-a-cycle</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Thu, 12 Oct 2023 08:00:05 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Travels]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Nibelungen Ring]]></category>
		<category><![CDATA[Opernhaus Zurich]]></category>
		<category><![CDATA[Wagner]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=12999</guid>

					<description><![CDATA[<p>From 9 November to 3 December 2023, the Zurich opera house will be staging Götterdämmerung, Twilight of the Gods, the final part of Wagner&#8216;s famous Nibelungen Ring tetralogy. Other performances of the complete cycle are scheduled at the Opernhaus in May 2024, but another Ring event has been announced for Berlin during the Festtage at [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/wagner-at-the-end-and-beginning-of-a-cycle">Wagner at the end and beginning of a cycle</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="ewa-rteLine"><strong>From 9 November to 3 December 2023</strong>, the <strong>Zurich opera house</strong> will be staging<strong> Götterdämmerung</strong>, <strong>Twilight of the Gods</strong>, the final part of <strong>Wagner</strong>&#8216;s famous <strong>Nibelungen Ring</strong> tetralogy. Other performances of the complete cycle are scheduled at the <strong>Opernhaus</strong> in <strong>May 2024</strong>, but another Ring event has been announced for Berlin during the<strong> Festtage</strong> at the <strong>Staatsoper unter den Linden</strong> in<strong> March 2024</strong>, for which bookings are now open! <strong>Gianandrea Noseda</strong> conducts the<strong> Zurich Ring</strong>, while <strong>Philippe Jordan</strong> is at the helm in<strong> Berlin</strong>.</div>
<div></div>
<p>&nbsp;</p>
<div><a href="https://www.music-opera.com/en/travels/festtage-2024-berlin.html"><span style="text-decoration: underline;"><strong>Embark on a musical journey at the Festtage here</strong></span></a></div>
<p>The post <a href="https://actualites.music-opera.com/en/wagner-at-the-end-and-beginning-of-a-cycle">Wagner at the end and beginning of a cycle</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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