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	<title>Pygmalion | News Music &amp; Opera</title>
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		<title>Rameau from Versailles, Namur and Bruges</title>
		<link>https://actualites.music-opera.com/en/rameau-versailles</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Tue, 22 Oct 2024 07:45:53 +0000</pubDate>
				<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bruges]]></category>
		<category><![CDATA[Centre de Musique Baroque de Versailles]]></category>
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		<category><![CDATA[Grand Manège]]></category>
		<category><![CDATA[Namur]]></category>
		<category><![CDATA[Pygmalion]]></category>
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		<guid isPermaLink="false">https://actualites.music-opera.com/?p=15360</guid>

					<description><![CDATA[<p>Reinoud Van Mechelen and his ensemble a nocte temporis have already demonstrated their affinity with the repertoire of Rameau. A new project brings them closer once again to the great French composer of the 17th century with the famous Pygmalion, a one-act ballet created in 1748. In collaboration with the Centre de Musique Baroque de [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/rameau-versailles">Rameau from Versailles, Namur and Bruges</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Reinoud Van Mechelen</strong> and his ensemble<strong> a nocte temporis</strong> have already demonstrated their affinity with the repertoire of <strong>Rameau</strong>. A new project brings them closer once again to the <strong>great French composer of the 17th century</strong> with the famous <strong><em>Pygmalion</em></strong>, a one-act <strong>ballet</strong> created in <strong>1748</strong>. In collaboration with the <strong>Centre de Musique Baroque de Versailles</strong> and the <strong>Grand Manège</strong> in <strong>Namur</strong>, they present a historically informed version, benefiting from the work of musicologists on the art of singing and orchestral practices of the time.</p>
<p>But that’s not all! During the three performances given in <strong>Namur</strong> (<strong>Grand Manège</strong>, on November 28, 2024), <strong>Bruges</strong> (<strong>Concertgebouw</strong> Brugge, <strong>on November 29</strong>), and finally in the <strong>Salon d&#8217;Hercule</strong> of the <strong>Château de Versailles</strong> (on <strong>December 2</strong>), another work is on the program: <strong><em>Zémide</em></strong> by <strong>Iso</strong>. Created in <strong>1756</strong>, this piece did not establish a lasting place in the repertoire, even though it represents the aesthetic of <strong>Louis XV</strong>&#8216;s reign and also the influence of his favorite, the <strong>Marquise de Pompadour</strong>. For this rediscovery, <strong>Benoît Dratwicki</strong> (artistic director of the <strong>CMBV</strong>) has recomposed missing parts.</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/salle/versailles-chateau-salon-d-hercule.html"><span style="text-decoration: underline;"><strong>For more infos on the events of the Château de Versailles, click there!</strong></span></a></p>
<p style="text-align: right;"><em>Château de Versailles et portrait de Jean-Philippe Rameau © POI &#8211; Getty</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/rameau-versailles">Rameau from Versailles, Namur and Bruges</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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