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	<title>Raphaël Pichon | News Music &amp; Opera</title>
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		<title>With Ophélie, Stéphane Degout Breaks the Hearts of His French Admirers</title>
		<link>https://actualites.music-opera.com/en/with-ophelie-stephane-degout-breaks-the-hearts-of-his-french-admirers</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 17 Mar 2025 08:30:14 +0000</pubDate>
				<category><![CDATA[Music Pics]]></category>
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		<category><![CDATA[Ambroise Thomas]]></category>
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		<guid isPermaLink="false">https://actualites.music-opera.com/?p=16320</guid>

					<description><![CDATA[<p>After a rich Fauré Year in 2024, celebrating the centenary of the famous composer’s passing, a major event is on the horizon. The Requiem, an absolute masterpiece by Fauré and a cornerstone of Western musical literature, will be conducted by Raphaël Pichon at the helm of Ensemble Pygmalion during a European tour from May 11 [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/with-ophelie-stephane-degout-breaks-the-hearts-of-his-french-admirers">With Ophélie, Stéphane Degout Breaks the Hearts of His French Admirers</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>After a rich <strong><em>Fauré Year</em></strong> in <strong>2024</strong>, celebrating the centenary of the famous composer’s passing, a major event is on the horizon.</p>
<p><strong><em>The Requiem</em></strong>, an absolute masterpiece by <strong>Fauré</strong> and a cornerstone of Western musical literature, will be conducted by <a href="https://actualites.music-opera.com/en/tag/raphael-pichon-en"><span style="text-decoration: underline;"><strong>Raphaël Pichon</strong></span></a> at the helm of <strong>Ensemble Pygmalion</strong> during a European tour from <strong>May 11 to 20, 2025</strong>.</p>
<p>The conductor, currently one of the most sought-after on the international scene, and his breathtaking ensemble are highly anticipated in this work—especially with the exceptional cast <a href="https://actualites.music-opera.com/en/tag/raphael-pichon-en"><span style="text-decoration: underline;"><strong>Pichon</strong></span></a> has assembled. Baritone <a href="https://actualites.music-opera.com/en/tag/stephane-degout-en"><span style="text-decoration: underline;"><strong>Stéphane Degout</strong></span></a> is undoubtedly one of the finest interpreters of <strong>Fauré</strong>’s <strong><em>Requiem</em></strong>, alongside soprano <a href="https://actualites.music-opera.com/en/tag/sabine-devieilhe--en"><span style="text-decoration: underline;"><strong>Sabine Devieilhe</strong></span></a>, whose crystalline timbre will shine in the <strong><em>Pie Jesu</em></strong>.</p>
<p>As a bonus, the conductor had the brilliant idea of bringing these two great French stars together for excerpts from <strong><em>Hamlet</em></strong> by <strong>Ambroise Thomas</strong>, following their immense success on the <strong>Opéra-Comique</strong> stage in <strong>2022</strong>.</p>
<p>Unfortunately, French audiences who have not yet secured their tickets for this <strong><em>Requiem for Ophélie</em></strong> may be disappointed. The <strong>Auditorium de Bordeaux</strong> on <strong>May 15, 2025</strong>, and the <a href="https://actualites.music-opera.com/en/tag/paris-philharmonie"><span style="text-decoration: underline;"><strong>Philharmonie de Paris</strong></span></a> on May 20 are already sold out! To avoid missing the event, they will have to rush for the last remaining seats in <strong>Vienna</strong> (Konzerthaus, May 17), <strong>Valencia</strong> (Palau de la Música), or <strong>Madrid</strong> (Teatro Real)—fingers crossed!</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/konzerthaus-autriche-wien/hamlet-highlights-thomas-requiem-faure-1930035.html"><span style="text-decoration: underline;"><strong>Book your tickets now, click here!</strong></span></a></p>
<p style="text-align: right;"><em>Stéphane Degout &amp; Sabine Devieilhe &#8211; c &#8211; Anna Dabrowska et Jean-Baptiste Millot</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/with-ophelie-stephane-degout-breaks-the-hearts-of-his-french-admirers">With Ophélie, Stéphane Degout Breaks the Hearts of His French Admirers</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Voltaire and Rameau Lose Their Hair at the Comique!</title>
		<link>https://actualites.music-opera.com/en/voltaire-and-rameau-lose-their-hair-at-the-comique</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 24 Feb 2025 09:52:25 +0000</pubDate>
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		<category><![CDATA[Ana Maria Labin]]></category>
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		<category><![CDATA[Camille Chopin]]></category>
		<category><![CDATA[Cavalli]]></category>
		<category><![CDATA[Claus Guth]]></category>
		<category><![CDATA[Delibes]]></category>
		<category><![CDATA[Gluck]]></category>
		<category><![CDATA[Jarrett Ott]]></category>
		<category><![CDATA[Julie Roset]]></category>
		<category><![CDATA[Laurence Kilsby]]></category>
		<category><![CDATA[Mirco Palazzi]]></category>
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		<guid isPermaLink="false">https://actualites.music-opera.com/?p=16154</guid>

					<description><![CDATA[<p>Since this summer, music lovers have known that Voltaire aspired to provide Rameau with an opera libretto about Samson, the well-known biblical figure famous for his complicated history with the temptress Delilah, who cut his hair. Unfortunately, royal censorship refused to allow this sacred story to be staged in an opera (something Saint-Saëns would achieve [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/voltaire-and-rameau-lose-their-hair-at-the-comique">Voltaire and Rameau Lose Their Hair at the Comique!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Since this summer, music lovers have known that <strong>Voltaire</strong> aspired to provide <strong>Rameau</strong> with an opera libretto about <em><strong>Samson</strong></em>, the well-known biblical figure famous for his complicated history with the temptress <em><strong>Delilah</strong></em>, who cut his hair. Unfortunately, royal censorship refused to allow this sacred story to be staged in an opera (something <strong>Saint-Saëns</strong> would achieve years later with the success we all recognize). <strong>Rameau</strong>, who had already begun composing the music, was forced to abandon his opera and later repurposed his score in other works.</p>
<p><strong>Voltaire</strong> is said to have told the composer: “<em><strong>I propose that we start a revolution together, for opera today has lost itself in the corridors of entertainment. It must allow us to read the world, to ask great questions.</strong></em>”</p>
<p>For <a href="https://actualites.music-opera.com/en/tag/raphael-pichon-en"><span style="text-decoration: underline;"><strong>Raphaël Pichon</strong></span></a>, the reason for the censorship is encapsulated in the final verses of <strong>Act III</strong>: “<em><strong>People, rise up. People, awaken. People, break your chains. Fight for your freedom</strong></em>.” On <strong>July 4, 2024</strong>, at the <strong>Théâtre de l’Archevêché in Aix-en-Provence</strong> (and not on July 14, the day of the storming of the Bastille), the brilliant conductor <a href="https://actualites.music-opera.com/en/tag/raphael-pichon-en"><span style="text-decoration: underline;"><strong>Raphaël Pichon</strong></span></a> unearthed a score that he had completely reworked for the world premiere of this <em><strong>Samson</strong> </em>by <strong>Jean-Philippe Rameau</strong>, set to a libretto by <strong>Voltaire</strong>.</p>
<p>After its great critical and public success, <strong>Claus Guth</strong>’s production is now scheduled in Paris at the <a href="https://actualites.music-opera.com/en/tag/opera-comique-en"><span style="text-decoration: underline;"><strong>Opéra-Comique</strong></span></a> from March 17 to 23, 2025. While<strong> Jarrett Ott</strong> reprises his role as <em><strong>Samson</strong> </em>from Aix, the <a href="https://actualites.music-opera.com/en/tag/opera-comique-en"><span style="text-decoration: underline;"><strong>Opéra-Comique</strong></span></a> presents a refreshed cast, with <strong>Ana Maria Labin</strong> as the new <em><strong>Delilah</strong></em>. She joins <strong>Julie Roset</strong> as <em><strong>Timna</strong> </em>and <strong>Mirco Palazzi</strong> as <em><strong>Achisch</strong></em>, alongside the young and immensely talented singers <strong>Camille Chopin</strong> and <strong>Laurence Kilsby</strong>.</p>
<p>The <a href="https://actualites.music-opera.com/en/tag/opera-comique-en"><span style="text-decoration: underline;"><strong>Opéra-Comique</strong></span></a> has no intention of touching one hair on <a href="https://actualites.music-opera.com/en/tag/raphael-pichon-en"><span style="text-decoration: underline;"><strong>Raphaël Pichon</strong></span></a>, whose dynamism as a conductor has worked wonders more than once in this ideal acoustic setting. Let us recall the successes of <em><strong>Orphée et Eurydice</strong></em> by <strong>Gluck</strong>, <em><strong>Ercole Amante</strong></em> by <strong>Cavalli</strong>, <em><strong>Hippolyte et Aricie</strong></em> by <strong>Rameau</strong>, <em><strong>Fidelio</strong> </em>by <strong>Beethoven</strong>, and <em><strong>Lakmé</strong> </em>by <strong>Delibes</strong>, as well as <em><strong>Miranda</strong></em>, a pasticcio based on a work by <strong>Purcell</strong>, and<em><strong> Un Autre Voyage</strong></em>, inspired by <strong>Schubert</strong>’s operas— all conducted masterfully by <a href="https://actualites.music-opera.com/en/tag/raphael-pichon-en"><span style="text-decoration: underline;"><strong>Raphaël Pichon</strong></span></a>, a regular at the house!</p>
<p>&nbsp;</p>
<p><a href="https://www.music-opera.com/en/artiste/22619-raphael-pichon.html"><span style="text-decoration: underline;"><strong>To go seeing Raphaël Pichon conducting, click here !</strong></span></a></p>
<p style="text-align: right;"><em>Opera Comique &amp; Raphaël Pichon &#8211; c &#8211; Stefan Brion &amp; Piergab</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/voltaire-and-rameau-lose-their-hair-at-the-comique">Voltaire and Rameau Lose Their Hair at the Comique!</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Raphaël Pichon embarks on un Autre voyage</title>
		<link>https://actualites.music-opera.com/en/raphael-pichon-embarks-on-un-autre-voyage</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 09:00:33 +0000</pubDate>
				<category><![CDATA[Music & Opera]]></category>
		<category><![CDATA[Music Pics]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Miranda]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[Raphaël Pichon]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Silvia Costa]]></category>
		<category><![CDATA[Stéphane Degout]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=13705</guid>

					<description><![CDATA[<p>Raphaël Pichon is a conductor who likes to play with scores. After the success of Miranda (a pasticcio based on a work by Purcell), the Opéra Comique entrusted him with a new production based on excerpts from Schubert&#8217;s operas. XWith these pieces put together, director Silvia Costa has built a production in which Stéphane Degout [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/raphael-pichon-embarks-on-un-autre-voyage">Raphaël Pichon embarks on un Autre voyage</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Raphaël Pichon</strong> is a conductor who likes to play with scores. After the success of <strong>Miranda</strong> (a pasticcio based on a work by <strong>Purcell</strong>), the <strong>Opéra Comique</strong> entrusted him with a new production based on excerpts from <strong>Schubert&#8217;s operas</strong>. XWith these pieces put together, director<strong> Silvia Costa</strong> has built a production in which<strong> Stéphane Degout</strong> and<strong> Siobhan Stagg</strong> share the bill from<strong> 1 to 11 February 2024</strong>. The conductor has not finished with his reconstructions, however, as this summer he will be back at the <strong>Festival International d&#8217;Art Lyrique d&#8217;Aix-en-Provence</strong> for<strong> Samson</strong>, a free creation based on a lost opera by <strong>Rameau</strong> (<strong>4-18 July 2024</strong>).<br />
&nbsp;<br />
<a href="https://www.music-opera.com/en/opera-comique-france-paris/l-autre-voyage-pasticcio-schubert-1541248.html"><span style="text-decoration: underline;"><strong>Discover Raphaël Pichon at the Opéra Comique</strong></span></a><br />
&nbsp;</p>
<p style="text-align: right;"><em>Raphaël Pichon © Piergab</em></p>
<p>The post <a href="https://actualites.music-opera.com/en/raphael-pichon-embarks-on-un-autre-voyage">Raphaël Pichon embarks on un Autre voyage</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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		<title>Raphaël Pichon and his Ensemble Pygmalion on tour with &#8220;Libertà!&#8221;</title>
		<link>https://actualites.music-opera.com/en/raphael-pichon-and-his-ensemble-pygmalion-on-tour-with-liberta</link>
		
		<dc:creator><![CDATA[admin_mowp]]></dc:creator>
		<pubDate>Mon, 21 Oct 2019 08:00:28 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
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		<category><![CDATA[Raphaël Pichon]]></category>
		<guid isPermaLink="false">https://actualites.music-opera.com/?p=7103</guid>

					<description><![CDATA[<p>The brilliant baroque conductor Raphaël Pichon conducts the production of Cavalli’s Ercole Amante at the Paris’ Opéra-Comique and at the Opéra Royal de Versailles and then goes on tour with his Ensemble Pygmalion in an all-Mozart program called &#8220;Libertà!&#8220;. Performances are secheduled at Toulouse’s La Halle Grains on December 16, 2019 or at the Philharmonie [&#8230;]</p>
<p>The post <a href="https://actualites.music-opera.com/en/raphael-pichon-and-his-ensemble-pygmalion-on-tour-with-liberta">Raphaël Pichon and his Ensemble Pygmalion on tour with &#8220;Libertà!&#8221;</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The brilliant baroque conductor <strong><span style="text-decoration: underline;">Raphaël Pichon</span></strong> conducts the production of <strong>Cavalli’s Ercole Amante</strong> at the <strong>Paris’ Opéra-Comique</strong> and at the <strong>Opéra Royal de Versailles</strong> and then goes on tour with his <strong>Ensemble Pygmalion</strong> in an all-<strong>Mozart</strong> program called &#8220;<strong>Libertà!</strong>&#8220;.</p>
<p>Performances are secheduled at <strong>Toulouse’s La Halle Grains</strong> on December 16, 2019 or at the <strong>Philharmonie of Paris</strong> on December 17, 2019, also in Bordeaux, Nancy, Evian, Massy &amp; Caen.</p>
<p>&nbsp;</p>
<p>21</p>
<p style="text-align: right;">Photo : Raphaël Pichon, © Jean-Baptiste Millot</p>
<p>The post <a href="https://actualites.music-opera.com/en/raphael-pichon-and-his-ensemble-pygmalion-on-tour-with-liberta">Raphaël Pichon and his Ensemble Pygmalion on tour with &#8220;Libertà!&#8221;</a> appeared first on <a href="https://actualites.music-opera.com/en">News Music &amp; Opera</a>.</p>
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